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A very good, but slightly flawed film by the master of the heist - Jean-Pierre Melville.
Things I ignored (accidentally) in this review: America, the beatiful; dreamscape; subjective reality; any semblance of coherence...
A review of Antonioni's 1962 film to perfectly (perfectly!) coincide with the new (and beautiful) Criterion release. Miraculous? Nay, just a marvel of modern technology.
"How's your driving record?" "It's clean. Real clean. Like my conscience."
Noir's death knell proves a paradigm of the living: fatality, flaws, but no femme fatale.
Heroism: what it is, what it isn't, and why that matters.
"I was born when she kissed me, I died when she left me."
BC Writer of the Week