"A sinister cabal of superior writers."
Larry Sakin is a former music executive and non-profit medical organization administrator. He advocates for literacy issues and provides advocacy training for grassroots and non-profit groups around the country.
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How Far Our Bodies Go demonstrates the nice guys in Fake Problems are one step closer to reaching icon status.
it’s a pleasure knowing the Mad Caddies slavishly adheres to their beautifully weird musical vision.
Ortiz blends the direct sensuality of Tori Amos’s edgy rock with a lackadaisical, jazz-induced playfulness.
A Game As Old As Empire is a chilling account of abusive fraud in the cryptic world of international finance.
Jorge Cervantes is to marijuana cultivation what Martha Stewart is to home decorating.
"In some ways you might consider The Boy Who Cried Freebird a primer for the uninitiated."
If Nirvana pushed out the inside of the musical envelope, Everybody Else keeps that envelope intact for the Disney set.
Fagin hints at greatness, preferring to follow in the footsteps of the Emo greats rather than blaze his own trail.
Citizen Fish plays blindingly great ska/punk rhythms that leave more commercial so-called ska bands in the dust.
Lovedrug's rich layers of swirling guitars and bright melodies moves the emo genre forward.
BC Writer of the Week
