Jonathan Deamer writes music reviews and articles like this on his blog, along with all sorts of other interesting bits and pieces on his tumblelog.
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Listen to this, and Keith Richards won't be the only one reaching for illicit substances.
Avant-garde soundscape weirdness on the All Tomorrow's Parties label.
Operatic metal - quite big in Finland, apparently.
Can they capture the full force of their infamous live show on cold, hard plastic?
Who's this record really catering to - the fans, or the record label accountants?
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