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Stanley Kubrick's masterful Vietnam epic, viewed more as a pop-culture classic than the legitimate piece of texured cinema that it is, remains to be one of the most structurely-brilliant and provocative films ever made.
Jim Sheridan's latest feature offers a strange paradox of a romanticized and sometimes realistic New York City.
Miramax Oscar-mongering may have prevented many from admiring an otherwise excellent film.
BC Writer of the Week