"A sinister cabal of superior writers."
Holly A Hughes has been a rock 'n roll fan since February 9, 1964. She's heard it all, on vinyl, cassettes, 8-track tapes, CDs, and mp3 files. But so long as it's got a good beat, she'll dance to it.
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Indie darlings Vampire Weekend make a spirited bid to top the mega-success of their 2008 debut.
Son Volt's Jay Farrar and Death Cab for Cutie's Benjamin Gibbard find something in common: Their inner Kerouacs.
Is there any kind of music that doesn't sound better with a cushion of gospel harmonies?
Don't mistake this quirky singer-songwriter's latest CD for a standards songbook — they're all originals, in more ways than one.
Keb' Mo's first indie-label outing may leave fans wanting Mo'.
Veteran blues-jazz-pop wunderkind moves beyond his Memphis base to woo a crossover audience.
A masterclass in sly songcraft from one of Britain's best.
With their long-awaited concept album, Portland's indie darlings defy the conventions of modern rock once again.
Two college professors dissect the music of the 1960s British Invasion, with varying results.
Forget the "blue-eyed soul" label — with The Hard Way, James Hunter proves he's just a flat-out Soul Man, period.
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