Christopher Soden holds Vermont College’s MFA in Poetry. He writes film & literary critique, essay, performance pieces and dramaturgy. Honors and positions: Poetry Editor: Espejo. President Emeritus: The Dallas Poets Community, The Poetry Society of America's Poetry in Motion Series, Fourth Unity’s Annual Unity Fest and The Dallas Public Library’s Distinguished Poets of Dallas. Publication: Gertrude, Windy City Times, The Chiron Review, Sentence, Borderlands, New Texas 2002, The James White Review and Best of Texas Writing 2.
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Director Hernandez’s skill at expressing coarse male idolatry, the empathy we feel for Gerardo’s ache and disconsolation, is a triumph of intuition and manifestation.
A rich, spellbinding celebration of raw male adolescent sexuality.
Revenge of the Psycho-Nerd.
“It’s the end of the world as we know it, and I feel fine.”
Director Irwin Winkler hedges his bets.
Can In My Country's John Boorman manage the cinematic high ground?
Colin Farrell's genuine performance cuts through a film that is often disingenous.
A film that defends the right of queer men to be pricks as big as our straight brothers.
BC Writer of the Week