Christopher Soden holds Vermont College’s MFA in Poetry. He writes film & literary critique, essay, performance pieces and dramaturgy. Honors and positions: Poetry Editor: Espejo. President Emeritus: The Dallas Poets Community, The Poetry Society of America's Poetry in Motion Series, Fourth Unity’s Annual Unity Fest and The Dallas Public Library’s Distinguished Poets of Dallas. Publication: Gertrude, Windy City Times, The Chiron Review, Sentence, Borderlands, New Texas 2002, The James White Review and Best of Texas Writing 2.
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Deal or No Deal: Wouldn't it be more humane to auction off their internal organs?
The Customer Service Army demands better customer service, but what about a group that demands better customers?
What's a poor critic to do about a flawed but exhilarating high school production?
Pro bonehead: David Kelley’s Boston Legal is a travesty of justice.
The radiance, audacity, and clear-eyed authenticity of the shots they take are mind-boggling.
The only danger to our nation’s youth is that it could, quite possibly, put them off sex forever.
What bothers me is this very old and still prevalent presumption that queer folks must be damaged goods.
"The three weeks where I edited nonstop...were like this fiery, completely cathartic experience. It was thrilling, hilarious, devastating and very hard work.
Tarnation suggests that it’s not about deserving the life we get, but surviving it.
Broadway has become a candy factory with empty whiz-bang special effects and canned music.
BC Writer of the Week