"A sinister cabal of superior writers."
Brandon Valentine is a film critic from Hershey, PA. Aside from possessing the last name “Valentine” and living in “the Sweetest Place on Earth,” Brandon was also born on Valentine’s Day. That’s right, a Valentine born on Valentine’s Day. His “sweet” work can be viewed at Blogcritics, IMDb, and his own site, Valentine on Film.
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29
Review: The Incredibles
The Incredibles not only establishes itself with honorable action, but it also carries an omnipresent familial message.
28
Review: Sideways
Sideways is a palatable, oxygenating, and intoxicating motion-picture.
27
Review: Secretary
Its first hour is extremely sluggish, and after thrusting along at a leisurely pace, the picture pulls out before climaxing.
26
Review: Chicago
One can only hope that more well-written musicals with more surprise vocal performances, will follow in Chicago’s wake.
25
Review: The Phantom of the Opera (1925)
This version of The Phantom of the Opera is the form of this much-interpreted film to watch.
Webber and Schumacher’s work has nix on the 1925 original.
23
Review: Raging Bull
Raging Bull is by far the premium product of the Scorsese/Deniro tandem and one of the finest films ever made.
22
Review: Cinema Paradiso
If you have a passion for great cinema, you will adore Cinema Paradiso.
21
Review: The Prophecy
Too often The Prophecy deviates from camp and becomes crap.
20
Review: Meet the Fockers
To what extent you will enjoy Meet the Fockers is really contingent on how much you valued the first film.
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