"A sinister cabal of superior writers."
Alan Dale earned a Ph.D. in Comparative Literature from Princeton University and a J.D. from Yale Law School. He currently works as a corporate tax attorney in Portland, Oregon.
He is the author of What We Do Best: American Movie Comedies of the 1990s and Comedy Is a Man in Trouble: Slapstick in American Movies.
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Why has the movie version of Gone With the Wind remained genuinely popular since its release in 1939, surviving the long-deferred revolution in race relations?
High Noon and Shane were the instant "classic" westerns of the '50s, but their styles, plain and fancy, respectively, rely on utterly simplistic stories.
Tired of Drama? Date Women in Comas
Graham Greene on Vietnam: Commie Apologist or Double Agent?
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