I am not a prude when it comes to violence in film, but I do have my preferences in expressions of horror, no doubt due to the influences of my social environment as I was growing up. I first encountered horror in the late 1960s and early 1970s through horror’s twins in science fiction and fantasy films that depicted the monstrous Other as alien invader, the result of science gone awry, or prehistoric beast meets modern society. Later I encountered the classic Universal and Hammer horror films which again depicted the monster externally, and it was only in my later teens that I engaged postmodern horror with its emphasis on psychological deviance, the internalization of horror, and bodily mutilation as the primary expression of the horrific.
In essence I suppose I was inculturated in a particular expression of horror, the early modern expression with the externalized monster, and as a result I have always found this expression of horror more frightening, indeed, more appealing. I think I might also find the complete internalization of horror within myself extremely distasteful. I recognize that human beings are indeed a curious mix of greatness and tragedy, but for me, postmodern horror’s revelry in human evil and bodily mutilation presents an overly dark and nihilistic expression of human nature and horror that leaves a bad taste in my mouth.
Related to these social and cultural considerations that result in a struggling horror market is its connection to commodification. Horror films are commodities designed to provide the highest return on investment possible, at least in those films produced by Hollywood and mainstream studios, and the emphasis on horror as commodity often leaves creativity and good storytelling by the wayside. In my view, some of the best contemporary horror comes from independent filmmakers and from the international market, with directors from Asia and Mexico, not the United States. In regards to independent filmmakers, the priority is given to good stories and frights, and while international horror is just as connected to commodification as the American horror market, somehow they have manged to provide a fresh infusion of creativity and conceptualization into the American horror market.
I recognize that my preferences for horror cause me to lean largely toward the Gothic, although my preferences for an early modern form of horror certainly go beyond this specific expression of horror. I am not alone in such preferences, and in sharing the reasons why these are indeed horror preferences, as evidenced by others such as Bruce Lanier Wright in his book Nightwalkers: Gothic Horror Movies (Taylor Publishing Company, 1995), have expressed similar preferences in contrast with contemporary postmodern horror:
..I believe that ideas have consequences, and I do worry about the idea embodied both in gore-porn and a good many modern ‘horror’ films. The underlying theme of Grand Guignol entertainment can be stated quite simply: You and I are pieces of meat, and all our interactions - anything we do to or for one another - are merely the random collisions of pieces of meat, without meaning or significance. This is a legitimate artistic position, and one developed with some brilliance by George Romero and others. It’s also a tremendously popular idea in mass media. The handful of individuals how decide what appears on television and in our theaters, not being particularly altruistic by nature, must believe it’s what you want to see.
Article comments
1 - Bo
A very interesting read and some fine points made all around. I would argue that modern horror is the same as it ever was, only different. It's similar in that there have always been the good releases and the not-so-good. The '50s and '60s are a prime example of the rush to film sometimes on the basis of nae alone. For every Ed Wood, there is a modern analog, our Uwe Boll. There are a number of fine horror films in the recent past, many of which were mentioned here (The Mist, The Ruins, [REC]) and some of these films are truly exceptional. I dare anyone to watch the last fifteen minutes of [REC] alone in the dark and not get spooked. Unfortunately, all American filmmaking has become a numbers game, and, as such, the 'product' the studios have been slinging is inferior and derivative. As long as people buy tickets for it, studios will continue to produce. The best new horror is often fund on the dvd shelves and not at the box office. Unless a festival is nearby, it's all-too-easy to miss an Inside or The Orphanage. Can't wait to read part 2!
2 - Brad Schader
I find that horror today reflects the attitudes of the day. The 80's Slasher movies were filmed during the Reagan era of oppressive morals. In those films, sins were punished by a slasher's visit and only the pure survived. The 70's saw mostly horror movies were G-d and the devil were at odds and usually G-d was powerless to help you (exorcist, omen) which was a reflection of the post Watergate era. The 60's, like today, were heavy on gore based films with little suspense because today, like the 60's we live in a very suspenseful and horrific time of war and gore.
Great read BTW
3 - Teresa
Wonderful article! I've always said today's movies are just not scary (sorry, I didn't like "The Ruins" at all). The only movies that truly made me scared were ones such as "The Evil Dead" and "The Thing". Even the 'cheesy' horror movies of the past are a 100 times better than the 'cheesy' ones made today, I don't know if it's the setting, the acting, the concepts, but a 70s horror film always outshines something from today.
4 - Alvin
We just need something good to come along and change things. IMO it all went tits up when they made a film called Scream which was crap and overrated
5 - UP TOOO LATE
Rec isn't terrible but nothing on Blair Witch (i'm used to being told off for that one) and honestly didn't capture me the way i'd hoped. The ruins wasn't bad at all but still has that sour smell of crapiness that for me has defined this decades horror releases. The Mist was watchable enough but again, flat.
I think what's wrong with horror today (and there is something very wrong) is down to something that's missing in youth culture at the moment. It's the same in music ect innit. It's hard to define. I will start my OWN BLOG YEAHAHAHAHA. (i will)