But does all of this make Moontide a bad film? Absolutely not. It may not be that adept at doing what it set out to do, but in no way is it unwatchable. Even though the film likes to ignore its noirish duties, its creators have ensured that there's always something onscreen to capture our attention. Integral to the story is Bobo and Anna's relationship, which moves along naturally and rings with more than a hint of sweetness. Though the film's source novel was of a much seedier nature, the filmmakers introduce just the right amount of sentimentality to accompany the story's rugged nature. In one of the French actor's few American outings, Gabin does a terrific job of playing Bobo as a lovable rogue. You get the idea that he's as capable of being a sweetheart as he is of letting his temper flare, an aspect of his personality that's very much pivotal to the story. Serving every bit his equal is Lupino, whose Anna comes across as damaged goods while remaining one tough cookie til the end. Also lending solid support is Mitchell as Tiny, who grows all the more sinister as he realizes Anna has laid claim to his meal ticket.
I can't say I completely liked Moontide, thanks mostly to a story that was too wonky for its own good. But I have to admit that I was always interested to see where it would go next, and it did a decent job of keeping me occupied in the meantime. Though it's not the noirish excursion you'd hope it to be, Moontide serves up a plenty enjoyable picture in its own right.
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