As Joe Strummer said in his version of "Stagger Lee," an admonishment to Creighton's despair:
"you must start all over again-all over again
don't you know it is wrong
You got to play it, Billy, play,
don't you know it is wrong
you got to play it, Billy, play
And you will find it is the right 'em boyo"
So many Stagger Lees. So little time.
Steve Zahn as Davis McAlary developed nicely throughout the season from one-dimensional obnoxiousness to redeeming moments of charm, but, boy, did he recover quickly from Janette's departure despite all his best efforts to show Janette all the reasons why she shouldn't leave New Orleans. It was a day that began with John Boutte and ended in the Columns Hotel where Pretty Baby was filmed. I was convinced, but Janette ultimately wasn't.
On second thought, Davis' resiliency, his ability to shrug off such a setback, is his charm. Exit Janette. Enter Annie. It is a parallel and contrast to the immobility of Creighton: "you must start all over again." Davis starts all over again every day.
Lucia Micarelli as Annie evolved too: a parallel journey to where her character's music leads. From Sonny to Steve Earle is a fantastic voyage. Might we see Lucinda Williams next season?
The ending flashback to the onslaught of Katrina counterbalanced an episode that wildly veered from cliche to cliche: Antoine losing his gig money in a poker game to a woman no less; do-gooder Texan, Mr. Reyes, fixes Ladonna's roof forcing Reilly to do the right thing; Lt. Colson wants Sofia Bernette to be "able to believe" that Creighton's death was an accident. Thank goodness this scene was in the hands of David Morse. One of the highlights of the episode, of the series, was acting greats Melissa Leo and Morse at Creighton's abandoned car.
Sonny has voiced some surprising self-awareness in the last couple of episodes: "you're so much better than me, as a player, and now you're leaving me behind." As a musician, this is as painful a truth as could be faced. Sonny had one of the most effective, quiet codas of the night - watching a taxi go by, sitting on the darkened street - a motif for the loss of Annie. Like Toni learns: "the truth doesn't set you free, it's just another burden that you have to bear."
The St. Joseph's Day meeting of the Indian Chiefs was magnificent. Or at least I thought it might have been. Shot by flashlight, this scene was murky with glints of brilliance and sequin. The gangs worked so hard on their outfits; I wished we could have appreciated them more in full daylight. There was one positive, a cliche avoided: the punch-up between the Indians and the police.