Final analysis: It's funny, the characters are likeable, and it's got the funniest and most insightful portrayal of a child I've ever seen on TV. Well worth watching.
The Minor Accomplishments of Jackie Woodman
Premise: People in Hollywood are nuts. Nuts I tell you!
One of the minor players in Lucky Louie is the brilliant standup comic Laura Kightlinger, a sexy woman inexplicably married to Louie's overweight boss. Kightlinger also has her own series, an eight-part miniseries that makes up for its short length with a long title: The Minor Accomplishments of Jackie Woodman. It's playing on the Independent Film Channel.
In Accomplishments, Kightlinger plays a magazine writer and aspiring scriptwriter trying to make it in Hollywood. According to the New York Times review of the show, the first episode was hysterically funny. I didn't see the first episode, and honestly, I find it hard to believe it was that funny.
Accomplishments doesn't really seem to be about being funny. It's about showing how horrible people are and how all of Jackie's shots at success are undone by the idiocy of the Hollywood system — although Jackie's own cynicism and apathy could have something to do with it.
There are very funny moments in Accomplishments, as when two security guards in an office building discuss a man they see masturbating at his cubicle or when Jackie interviews a crazy artist who insists the interview be done without words, leading to a series of weird stares and incomprehensible motions.
Mainly the show is just sort of depressing. It's got that "everything-sucks-and-people-who-don't-know-that-are-fools" vibe (making it a good companion piece for the similarly dark, but not especially funny, animated British series Monkey Dust).
Lucky Louie also portrays life as rather hopeless and full of difficulties that may well be impossible to overcome, but it is likeably human where Accomplishments is archly cynical. But that's not the problem; I myself am archly cynical as often as not. The problem is the series isn't all that funny and the characters aren't likeable enough to balance that out.
I appreciate that the show is trying to be something more than a standard sitcom, but if you don't have strong jokes or relatable characters or a compelling storyline and your only target is the painfully easy one of Hollywood, well, you've got problems.
Final Analysis: This one's keeping me watching, but just barely; it's got just enough sense of potential that I keep thinking the next episode will be really good. I do like Kightlinger, and I do think she could do something great one day, but I don't think this is it.
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