House and Cuddy are finally together after six seasons. Will it work?
There is moment in the season two episode “Need to Know” crucial to understanding the inner workings of Dr. Gregory House (Hugh Laurie). After pursuing Stacy (Sela Ward) for months, he has finally won her back from her husband Mark. She’s prepared to leave him and make her life with House. But House has second thoughts, not about his love for her, but about his own ability to be functional in a long-term serious relationship—which is the only sort of relationship House seems able to desire (beyond the basic necessity of hookers). …
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— go to most recent comments26 - Janine
Wonderful episode! I've only read one bad review (by Ken Tucker on ew.com is anyone wants to see it for themselves) but even there most of the fans in the comments section disagreed and some even accused the writer of being on drugs! So many wonderful scenes of romance mixed with comic releif. I loved the bath scene and laughed the whole way through thinking "how are they sitting in there?". I think by far my favorite scene was the one with House opening the bottle, so natural and the first time we've seen House smile like that (my sister actually said out loud aww he's smiling). Then of course there was the ""I Love You" which I honestly wasn't expecting to here till later. I'm glad teh Wilson thing will be addressed because it is not like him to just let something like that go, although I understand why he gave House his space, after basically proving he wan't on vocoden. Did anyone notice when Cuddy was helping House clean the glass that she subtly took the two bottles off the floor and left teh room with them? I thought that was a nice little interjection to include. i agree some lines wer a little "Grey's Anatomy" but they are different when said by House and Cuddy because they are not whiny perfect people,they are both insecure about if this wil work. House is hard to read so Cuddy asking why he hasn't said the "L word" makes sense, prying like that is the only way to know what House is thinking.When something like that happens on Grey's it just makes the characters seem pathetic (no offense to Greys Fans) because the characters don't hace as many problems.
I think my only problem with this episode was the Chase/Thirteen thing which came totally out of the blue. I think that was just thrown in to appease the "Chirteen" shippers before Thirteen left. It was an interesting twist that she lied about where she was going. I wonder if we will find out where she went before she comes back (which according to Ausiello isn't going to be until well into the season)
27 - John Wilson
Great episode about grownups and love, insightful review and excellent comments. Worth re-reading.
28 - Edward
Relax people. It's only a television show.
29 - Delia_Beatrice
@Barbara: thank you very much for understanding. The very idea of competition is absurd. I don't have a blog, nor do i intend to get one. I don't post reviews or anything else online, i only comment here and on my personal facebook page. I am just a regular citizen, madly in love with the show, who sometimes gets carried away with the analyses, like other "regulars" here also do, bless them for making me feel like less of a nutcase:))))
It has always felt natural that, after i read your reviews and agree to mostly everything in them, like i always do, I try to come up with additional theories and focus points, and i didn't think about it before - it just seemed alright to carry the discussion further, like it always happens here. You have always been kind enough to participate in these discussions, not just initiated by my posts, but by other regular posters too, and i think it benefits us all to view this incredibly complex and layered show from as many points of view as possible, since nobody can capture everything on their own.
Anyway, thank you again for creating this place - the slice of heaven for those who live and die for "House":)
@HWL40: thank you, you are most kind. You made me feel much better, i had had a little "oh, my God, have i been that misunderstood?!?!" moment there earlier today...
30 - Delia_Beatrice
@Janine: yeah, the move with the pills was very Cuddy-ish:)
@sdemar: i know what you mean:)
And the mix of comic and romance was amazing. The funny, unconventionally romantic gestures and games and little jokes were very fluent, flowed by so naturally. I can't even comprehend whether that was because of the good writing, or maybe the same scenes would have been much less magical if played by a less organic couple. Their chemistry, the flow of intimacy and closeness and the simple, complete comfort are just addictive.
Also loved House's indications towards his eternal attraction and focus on her - the "Sleeping Beauty", the screensaver she had of Mount Saint Michel...
Have you guys noticed how House was caressing her ring finger, while in the bathtub? Right before he wondered whether the emotional turmoil of the previous night had pushed her to make an impulsive decision. He was probably thinking that, just the previous morning, she was wearing Lucas's engagement ring on that finger...
And also in that marvelous scene in bed, planning their trip, he tells her that she ended her engagement for him, but she's not willing to bend her schedule... Her reaction was so sweet, immediately finding a compromise and an explanation that he understood (if she was to leave Rachel with her mom, she needed time for preparation). I wonder how familiar House is with Cuddy's family life. He does seem to know inside info on her relationships to her mother and sister.
31 - Janine
@Delia-B
I didn't even notice the ring finger thing. I guess I'll just have to watch again and again and again (LOL). I wonder if thoses beach pictures we've seen will be from a later episode where House and Cuddy actually do take a vacation or if that was just an idea for the premier that got scraped.
BTW Hugh is going to be on Ellen today at 4pm, hopefully he will talk more about the premier and what's to come.
32 - Delia_Beatrice
@Janine: i watched it three times last night, in a row:)
I live in Eastern Europe, so i stayed up until 3 am and watched the final episodes of season 6, then i watched the premiere live and recorded it, so after it was over, i watched it again twice... They are just mesmerizing, that chemistry, good Lord!
GY tweeted about a week ago that the beach photos are not from the premiere. Additional info says they are from the episode in which Huddy goes double-dating with Sam and Wilson - presumably, ep 3 or 4. But i wouldn't count on that. They played us with those pics - they wanted to detour people with fake spoilers, so that the real script remains a secret. However, those scenes will be included in a further ep, can't be sure which. Not that i care much - there are so many wonderful moments ahead...
There is a huge amount of sensational details in the premiere. Do watch it again, it's so worth it! I will watch it again twice tonight, and probably every night, until the next ep... Their acting/natural chemistry are simply monumental. Lisa made me drop dead, literally. I have never ever ever seen her so beautiful, so radiant, so natural and so lovely.
33 - Flo
Thank you Barbara for this great review.
I usually like the "break the formula" episodes and this one was no exception.
I liked the slower pace of the episode and the quietness of the House/Cuddy scenes especially in the first one.
I agree with you assessments and I have few things to add:
- It seems to me that the doors are really important in this show, for the House/Cuddy dynamic.
House interrupts one of Cuddys date by knocking on her door. She asks him if he likes her on the front porch.
First time House and Cuddy kiss in "Joy" it's across Cuddy's front door which is shut. The hallucinatory kiss and make-out in the season 5 Finale begins across House's close front door. It was open but he shut it before kissing Cuddy.
House can't bring himself to ring Cuddy's doorbell in "The Itch".
In "Remorse" he wants to go apologize to Cuddy but just stops at the door when he sees Lucas in Cuddy's office.
The last scene of “Help Me” was filmed from the open bathroom door.
And I can’t count the numerous times they slam door to each other.
I think it is interesting to see that, in the first scene here, both House's bathroom and bedroom door were open.
House and Cuddy history is made of missed opportunities. A bit like doors that could have been open but stayed shut, doors that were open at the wrong time etc.
The first scene of this episode was shot from the exterior until she began to wash him. It’s like we were outside observant who wanted to leave them their privacy. I like this shot, with the open bathroom door, where they got together at first, and them in House's bedroom in the same shot.
All those doors will remain open throughout the episode excepted for his front door that will be carefully locked. Open and shut. Free to go wherever you want except the outside world.
It's also in front of this shut door that House will confess his biggest fear and that he's gonna dare to smile, hopeful, after having unlocked it.
I think it's highly metaphorical of their relationship and important for what is at stake in this episode.
- I love the lighting. It was truly an aesthetically beautiful episode. Thumbs up to Gale Tattersall for this.
- Doris Egan really wrote this episode very well. The discussions House and Cuddy have are adults and very straightforward. No more games, no more pretending. As the end of "Help me" told us, it's time to come clean. No more BS. No more mask on.
They are naked in every sense of the term, literally and metaphorically.
- Am I the only one who saw House and Cuddy's reflections in House's piano in the beginning of the scene where he brings her breakfast? Dichotomy. House and Cuddy enjoying their day like two teenagers in love but also House and Cuddy the insecure adults who try to survive to their doubts. Two facets of them that we're gonna see during the episode.
- I think if we overanalyze we can see that, the chemistry that ruined their good time in the bathtub by burning parts of them can be viewed as the "toxic" (as Cameron put it) aspect of their personalities that can ruined their relationship as easily as it ruined their bath time, if they're not careful.
I agree with @Delia (#15) (yes I know, that was predictable) about Cuddy being the hero here. The fact that she accepted to confront and be confronted is pretty normal since she does this on daily basis as a Dean of Medicine. Not that she were the type to avoid a confrontation either way, as her sudden break-up with Lucas demonstrate. Only here, she confronts House and her relationship with him. That's the only thing that they both always avoid to deal with. Considering this, I found her very brave throughout the episode especially at the end, when she dare to look at House in the eye and not accepting his pessimism by telling him she doesn't want him to change. It must have taken all her courage to reassure House like this despite all her own doubts and fears. She feels unsure herself, but she just simply spoke a truth they can both cling on. Nicely done Dr Cuddy. I also agree that Lisa Edelstein was very impressive last night which is saying something.
It rang true to me.
I found the balance between drama and comedy really nice. In the House/Cuddy scenes (Wilson's interruptions was golden) and by the case. As Barbara said, it was a welcome fun counterpoint to the introspection scenes in House's apartment.
Even if, @Zay (#16) has a point that it felt unfinished, I think it was supposed to feel that way. As Cuddy says: "this is just the beginning of it."
Chase putting a Cameron on 13 was hilarious! I agree that it came totally out of the blue but it was fun. 13's face, when he said it!! He apparently didn't go out much since Cameron left him and since he likes 13 he may have wondered: why not? Haha! Sorry to say it like this but he really needs to get laid.
I found interesting that 13 hugged him anyway at the end with a sad expression on her face. She didn't do that with Taub or even Foreman who was particularly nice to her in this episode.
I'll really miss her.
All in all, this episode did what he was supposed to do as an opener: set the themes and tone of the season and beg questions that will have to be answered eventually. And it managed to do it in an original, unique way.
I'm ready for this ride. Bring it on!!
34 - Eileen
I absolutley LOVED this episode!
Barbara, your review was lovely and insightful as always. I thorougly enjoy reading the comments that follow your reviews, and especially look forward to reading Delia_Beatrice's comments because I adore her analysis of House (the character) and his interactions with Cuddy. I know there are people out there who don't want this relationship to last but, I, for one, hope that it does. Using D_B's analyses, I would love to see House grow and change (slowly, and not always moving forward of course) in response to receiving unconditional love from "the woman of his dreams". Watching House's personal journey during this part of his life is amazing. I want him to eventually see that "happiness can last", although it may ebb and flow over time. And, as many people have said, their faces at the end of last night's episode plainly convey their feelings of trepidation about this relationship because they know how huge it is and what it can mean for them going forward.
So D_B: don't change anything about the way you write your comments! I love them.
35 - Ellen
Amazing episode. The look on House's face when Cuddy caressed his scar, and then kissed it....I thought my heart would stop.
36 - Michele1L
Aaaah .. finally the new season is here! Good to see the "House" Blog back in action, Barbara!
I have to say that in some respects I was a bit disappointed in this episode. It's probably due to the promos I watched. The love scene was greatly minimized,the intensely passionate portions removed, and the teaser included scenes from a forthcoming episode I expected to see in this one.
hwl40 - Hugh said in another interview for viewers to not be so sure the relationship would fail -- so you can't always trust that Hugh. He's such a kidder.
I'm all over the map here, but I just wanted to remark on some of the comments I've read ...
ruthinor - I felt the same way in watching Cuddy clean House's wound and then take the same towel to his face. And she did a poor job of cleaning him up because she couldn't resist kissing him prior to wiping all of that soot from his face.
nno13 - I agree that overall this was one of the weakest episodes of "House" -- especially for a Season Premiere. Generally, with "House" we're used to kinetically-energized episodes, and this one was sort of sleepy with a not-so-exciting medical mystery, and the drama surrounding 13's "temporary" departure was just dreary and depressing. Despite this, there were some stellar moments between House and Cuddy that saved this episode for me. In particular when Cuddy admitted she wouldn't want House to change and that she thought he was the most incredible man she's ever known. I'd always imagined she felt that way about him -- and why would she expect someone she fell in love with as he is to change?
Libby - I wondered the same thing during the champagne bottle scene. LE and HL are such gifted actors, but their laughter in that scene seemed too natural to be acted.
DebbieJ - The kissing of the scar scene was awfully predictable, but, having said that, I think Cuddy would expect House to be ashamed or uncomfortable about it and would want to reassure him.
The Wilson scene where he is rolled away from the kitchen window is visually comical and I did laugh out loud. I also laughed when they were in the tub, knowing that those ingredients House poured into the water would not lend themselves to a soothing bath experience.
Zay - I don't think it was out of character for Chase to ask to sleep with 13. He had already set the ball rolling in that direction in the episode called, "The Choice" when he asked 13 if he could "borrow her car".
Is it generally allowed in places of business for a boss to date a subordinate? I thought that could only happen if the couple was married. ???
Interesting stuff coming up. Looking forward to it, as well as the temporary replacement for 13. -- New blood. Fascinating.
Anyone see Hugh on the "Tonight Show"? Hugh made a point of saying the laptop he is "wearing" over his man part in the vacation planning scene with Cuddy was "a 17 inch". -- Hilarious.
37 - Susan
I came to this site right after I saw the episode (on DVR). I love Barbara's insights and the comments of all the devoted readers. Thanks for being here.
P.S. My heart jumped when House told Cuddy he loved her. And I was a little saddened by their expressions at the end of the show. This relationship is the best on TV or anywhere, and has to succeed.
38 - Susan
I also felt that they should have washed before the love scenes. House was filthy and I wonder about Cuddy - had she changed before coming over?
And I agree that the champagne scene seemed very real. I noticed how different their laughter was (House is great when he's happy).
39 - Delia_Beatrice
@Flo (#37):
- i generally agree with you (shocker!) and all you've pointed out
- fully agree on the doors; it is a significant metaphor and, on a lighter note, in this episode, i think it's the first time in Huddy history we saw House gently and politely closing doors in Cuddy's face:))))
- i saw their reflections in the piano; the teenagers in love vs troubled adults dichotomy is valid, as is the fact that in this episode, the only glimpse of "persona" we saw was in that reflection on the piano; they were both authentic beyond authenticity, their deepest true selves, like we have never, ever, seen before
@Eileen (#38): thank you so much:) Really, i was a bit bummed today and hearing your kind words means a lot to me.
Also, i am happy you agree to the ideas that i hold dear. Perhaps hoping that House will grow and heal enough as to think that "happiness can last" is a bit much. Let's lower our expectations (ha ha) and simply pray that damnation and destruction are not the only possible fate for this superb man... Damaged, complicated people can, and often do, find a kindred spirit (thanks for the quote, Sir Hugh) that manages to bring some glimpse of light and peace in their lives.
@Michele1L (#40): i felt that the two essential elements of the opening scene (the scar kissing and the bridal-position) were both predictable on some level. But i think that was intentional, using such simple and clear symbols to express their feelings and experience. They were both exhausted and overwhelmed and i think that scene was perfect in its understated, symbolic simplicity and classicism.
@Susan (#41 & 42): i think Cuddy had cleaned up before she came to him. Her hand was clean during the handclasp that ended "Help Me".
However, i think it's meaningful they did not clean up - or, at least, House didn't. It would have been a symbolic image to show them bathing together or Cuddy thoroughly cleaning him up before they made love. But it is relevant that that did not happen: it speaks volumes about the unconditional character of their love - mainly Cuddy's. "I take you and i love you as you are - damaged, scarred, dirty, covered in the rubble of your past and your pain".
I was initially saddened by their expressions as the door closed, too - it was like they had been pretending for each other's sake, and then the mask fell and the fear and confusion were visible. But i think i was wrong. It would have been infinitely sadder if they had been delusional and dreamy about it. The only chance they have is to stay absolutely true and honest to themselves and each other. This is not an easy journey they have begun - and the more aware they are, the better their chances of making it work.
Besides, i don't think they were faking or putting on masks. They were both genuine, their embrace and smiles, after House's profession of love, were genuine and authentic. It's just that they were transformed in each other's presence, the positive force of their love filling them up, the need and want and joy of being together were overcoming the fears - at least for Cuddy, who was glowing, radiant, confident and simply superb, the very embodiment of a woman in love. When that door closed and they were alone again, the darker thoughts emerged - and yet, not in a dark way. Their expressions are not sad per se. They just acknowledge the difficulties and the risks, but there can be no regrets, no hesitations. They are both fully aware that this is IT, for both of them.
PS: House happy and playful and joyful and naughty: a vision of sheer heaven for me. He was magical, just magical. The scene in which he describes the "secret bath" to Cuddy in the doorway: he looks sexy beyond words, and so warm and sweet and funny. The champagne scene, the answering machine, the "lobe", the planning of the trip... Both of them, magical. The most beautiful, addictive couple i have ever seen.
40 - Tall Writer
OK. Great review and comments..."In-Depth" is a huge understatement. Everyone covered so much. Don't know why, but I envisioned a hot-cold situation where House would be thoughtful and affectionate to Cuddy in public but the opposite at the workplace. They fleshed out a lot at House's place. Excellent cast and writing!
41 - genagirl
Not a fan of the Huddy. At all. I liked Wilson popping in through the window and Chase asking 13 to have sex with him, but the rest of the episode didn't do anything for me. I liked the fire between House and Cuddy when they were in the "will-they-won't-they" stage but it's fizzled and I hope the writers find something better to concentrate on.
42 - RJW
As usual,I really enjoyed this episode.My husband and teenage son watched right along with me.We loved it when House poured the Listerine into the bath water!
43 - Janine
@Delia-B
I have and hour tomorrow where I will be at school but have no classes, so hopefully I can find an online version of the episode ot watch again.
@Michele1L
There are a lot of issues with a boss dating her subordinate, but I think that will be covered (if you have seen the promo where the man asks "what is the nature of the relationship" and House replies "Have you seen wild Kingdom). That man is probably the HR man making a note of the relationship, as almost all couples who work together and have a relationship must do.
44 - Flo
I've just realized I forgot to talk about a couple of things.
First, I love the last scene with Cuddy and House looks, uncertain of the future. For me it was like they weren't sure if this ride will be as great as Cuddy just said. They didn't dare to keep smiling just in case it would curse what they have.
As Delia put it it is also the fact that, now, the little "out of the real world" thing is over and that they acknowledge that it's gonna be difficult.
They didn't dare being fully happy here, they don't know if it's gonna be great, but they want to believe it so much.
Second, Some of you talked about the Champagne scene, and I must admit that this scene seems to be a bit different to me. I liked it, but yes, it really felt like there was more of Lisa Edelstein and Hugh Laurie than House and Cuddy in it.
In my first vision, I even thought it was an improv. The laughs of the actors & the way House said "it's slightly wrong" sounded just like Hugh Laurie. Now I think that maybe that scene really made the actors genuinely laugh and instead of doing another take, Yaitanes just decided to keep it.
It was kind of weird but cool in a way to see this.
Okay it's all for now.
45 - Greenhouse
I'm not very good at elaborating (and everyone here does it better than me) so here are just random thoughts:
As a Huddy shipper, I loved the episode but I think for non shippers it may have been a bit disappointing. True it is slow paced but it is a great opener to a season I very much look forward to watching, with the banter back!
@flo : "Chase putting a Cameron on 13 was hilarious!" LOL. And I agree.
I also loved Cuddy's personnal assistant.
@D_B : I always very much enjoy reading what you have to say. And you always express what I feel so much better than I would...
Didn't anyone else think House's "I love you" looked very much like a proposal?
He was lower than her (even if it was only sitting down and not on his knees), holding her hand and he said it very seriously, looking into her eyes.
Actually, I think he was afraid of saying it earlier because he was unsure that it would work. It was a way to keep a distance, not be hurt, if at the end of the day, they decided that was it. So by saying "I love you", he was accepting this relationship. To give it try.
I must admit I was surprised to see how much they made Cuddy the mature one, the one that really gets him and confronts him with his doubts. If the writers go on like this, the relationship can't not work...
I do hope it does work. The chemistry is great. And I still can't believe TPTB decided to go for it!
It seems (from certain previews) that it will be so much fun...
46 - ruthinor
"Is it generally allowed in places of business for a boss to date a subordinate? I thought that could only happen if the couple was married. ???"
Michele1L: I believe it is permitted as long as they sign certain contracts that prevent the workplace from being sued should the relationship not work out. In fact there is a very funny promo from, I believe, next week's episode in which they are in the HR office.
47 - ruthinor
Employees sign "love contracts".
48 - hwl40
Barbara, I have been thinking about the parallels you drew between House's withdrawal from Stacey and his efforts in that regard with Cuddy. He was committed to Stacey and then suprised when he learned she was hedging her bets by not telling Mark. He concluded based on this and previous history he could not make her happy over the long term and he told her so in no uncertain terms. He seemed mortally wounded by her second rejection following on the heels of her previously demonstrated inability to weather the hard times with him, concluding "I'm better off alone" because he was so toxic as to be completely intolerable.
Lydia was different because she truly liked him the way he was and valued his fine qualities even though she was never interested in a long term relationship and told him so. I think he saw himself in a different light through her eyes.
In this episode, Cuddy shows herself to be very different these other two ladies. She knows him and she loves him and she wants it to work. She is committed, has no illusions about how difficult it will be, but does not back off - even when he turns his lazer like analysis on himself in as stark a manner as ever he did on any friend, colleague or patient. He expected the home truths about himself which he so ruthlessly catalogued to end the situation because, based on previous experience, he considered himself unredeemable.
I really hope the writers don't let him go down for the count 'cause it looks like he is going to make every effort to prove himself right.
No doubt everyone else already got this but it's great to have a place to say it. Thanks, Barbara.
49 - Kristin
You all write so beautifully and express yourselves so very well. This article is excellent. I agree with your analysis.
For me one of the most touching parts on top of it all was when Cuddy did tell him he would always be the most incredible man she has ever known. It was like in that moment I felt like no matter how they may succeed or fail, she will never view any man on the same level as him. I feel that I already knew this about Cuddy, but this sealed the deal for me. If it ends, it does but for one another there will probably never be a love like this one in their lives. Sweet, bitter, real. At their age I think they know this fact in their souls.
50 - dina
great review, and (for me) also a great class of english!
thanks a lot.
51 - Sera G
I couldn't wait to read further comments today. I am happy to see that most of us are happy with last night's episode. Big surprise, I thought about it all day and will probably watch it again tonight. (I am a dinosaur who still video tapes!)
The last scene of Cuddy's face really bothered me. Barbara had a fine comment, "out of the cocoon into the real world." However, I might be totally off base, but I think it was Cuddy realizing, again, that she needs to be the strong one in the relationship. As with hiring House, keeping him within boundries (as much as possible), saving him literally and metaphorically over and over, that she will need to do that to keep their realationship healthy. House will try to ruin it, either consciously on not. Cuddy will have to be the one to remind him of what they have, how long and hard they worked to get to this point. I think House loves and values her tremendously, but he is always sure that things will fail for him. As in the scenes in "5 to 9", when Cuddy is alone she can allow the mask to slip and fear, self doubt and insecurity can show.
I agree with so many of you who appreciate this complicated story of more mature lovers who know the risks of starting a relationship at this stage of their lives, with partners who are not 'easy'. I, too, commend DS, the writers, etc. who are willing to take this journey. I think it can be amazing! I just pray they don't take the Grey Anatomy route and break them up only to reunite them ad nauseum.
I am proud to say that I love this show.
One last comment, LE and HL are incredible.
O.k., one last, last comment; Delia_Beatrice, I love your ideas and insight. They always offer something new to the discussion. Kudos to Barbara for having a place where all are wecome and respected. Done!
52 - hwl40
Barbara, as an aside,the initial scene of Cuddy caressing House's leg was reminescent of a wonderful piece of fan fiction I read awhile ago. You are a very gifted lady.
53 - Orange450
Hey Barbara, thanks for a great review! A wonderful way to start what will hopefully be a wonderful season.
My husband is OOT on business, but he called me last night right after the opener, to let me know that he was watching too. And he called just a little while ago, and we had a great time discussing the episode. There was a point I was planning to mention here, and I'm glad that my husband and I agreed about it :)
Last night, when Cuddy called House on not saying "I love you" back, when she said it to him, and he told her that actions count, I enjoyed the reference to the pilot:
Rebecca: Does he care about you?
Wilson: I think so.
Rebecca: You don't know?
Wilson: As Dr. House likes to say, "Everybody lies."
Rebecca: It's not what people say, it's what they do.
Wilson: [Pause] Yes, he cares about me.
Sure, “what people do” is important. But for someone like House, actions are the easy way out, because for him, the hard part is expressing his emotions in words; it’s what exposes him, and renders him openly vulnerable. It's something he's had trouble with since we know him. Actions are absolutely necessary - but in loving relationships, they're not sufficient. The words have to be there too. How many times have we heard someone say sadly “I know my parents loved me, they worked so hard to give me everything I needed - but they never told me that they loved me in so many words.” And while the hard work is acknowledged and appreciated, the simple words are sorely missed.
Did you ever read Betty Smith’s lovely novel “Maggie Now”? It’s not as well-known as “A Tree Grows in Brooklyn”, but IMO it’s more poetic. It contains a poignant deathbed scene - a wife of 25 years is dying in childbirth. Her husband - a reticent sort - has never said those three words to her. She says to him “in all our years together, you never said…..” And he says it then, just in time for her to hear it.
I was really glad to see that House was able to make the leap, and didn’t wait until Cuddy was on the other side of the door to tell her how he feels about her. I mean - even *he* wanted to hear his father tell him “you were right”!
54 - rsg
YAY! You're back and the season has begun! Loved your review as always. Also happy to see familiar names back up posting with their excellent writing talent and outstanding insights! Too many to mention all, but in particular this time--- Rob F with getting the 'Bar Mitzvah" was '13', and Byzantine mentioning the 'B' in lobe could actually be 'V' in another alphabet, (how perfectly Housian), ....brilliant!!!
I cannot say enough good things about the first episode. I loved spending time in House's apartment. After it's absence for most of season 6 I missed it! I loved how the House/Cuddy relationship came across as two adults so at ease being together, and so familiar with each other. I think watching this progression was perfect and not overdone as some suggest. House's response to Wllson's concern and then Wilson's break in was hilarious!
I started caring about 13 in "Lockdown", where she finally came across as person to me. Now we see her go and I'll actually miss her.
The patient of the week was different and not as strong as in the past, but offered a good balance of humor to the episode.
P.S.
I've been reading CZ, and as someone who has seen House episodes many, many, (OK-- many, many, many... ect!!), times, I have really enjoyed it. You're book has made me smile at my 'favorite' parts, and also appreciate new insights and information. I've just reached the episode break downs and love the method used in reviewing them! Thanks:)
Here's looking forward to the rest of the season. CHEERS!
55 - barbara barnett
HLW40--It was a great scene in the show. Thanks so much for your kind words (and everyone else, too, of course). What was the fanfic (one of mine?)
Very good points Orange. So many powerful pieces to this.
56 - rsg
Oh, shoot.
Forgot to thank Flo for the excellent analysis of the door scenes seen in House. Always big scenes, and meaningful scenes shot with doors! Never noticed.
Enjoyed your writing as usual; Thanks!
57 - Rebecca
Dear Barbara, I'll repeat myself by saying that it's always a delight reading your reviews. And there's not much I can add after all those brilliant comments...
Your article and hwl40's comment (#48) made me realize the symmetry between two particular scenes involving the two most important women in House's life: 1) House letting Stacy go (Season Two, “Need to Know”) and 2) House and Cuddy in the end of this season's premiere.
In those scenes House confronts both women with the truth (or what he perceives as the truth).
In “Need to Know” he tells Stacy that their renewed relationship is doomed to fail. Stacy loves him deeply but she realizes he is telling the truth. She protests only mildly, because she knows what is really at stake for her. For both of them actually. Their chance for real happiness was lost long ago and they were acting on the illusory belief that they could recreate what was lost. What I find interesting is that House's motives are not simple. He is protecting himself but at the same time he is protecting Stacy.
And then it's Cuddy in the end of "What Now?". Once more House reacts in the same way (it's like an automatism to him). In this scene he is primarily confronting himself with what he fears to be the truth and secondarily Cuddy. But she doesn't retract. She acknowledges the truth and still doesn't walk away from him. And that is simply because those two are finally in the same place emotionally.
There's a unique poetical symmetry in the screenplay and visual narrative of these two scenes.
@ Delia Beatrice: I always look forward to reading your comments no matter how long they are. Barabara's reviews never fail to generate intelligent discussion. It's one of the reasons why I am particularely fond of this "humble little corner of the net" (to quote Barbara). People here take time to think, analyze and elaborate, with respect for the author/ "host" and the other "guests".
@Flo: I enjoy revisiting an episode (episodes or a whole season) with you as my guide. Kudos for your analysis focusing on the "door" metaphor.
@Byzantine: Thumbs up for pointing out the b/v significant “detail” (there's definitely a carf under this particular bull, if you ask me!). You always add the scholar's touch to the discussion.
@Orange: Thank you for bringing up the powerful deathbead scene from Betty Smith’s novel "Maggie Now". Such a poignant literary reference...
58 - hwl40
Barbara, yes, your fanfic, I think it was "Pictures at an Exhibition", but I could be wrong.
I gratefully second Rebecca's and other's appreciation of DB, Flo, Byzantine, Orange and many others' comments and particularly Barbara for creating this "little corner of the net"
59 - Leodie
#28 Edward. Have to disagree with you, this is THE television show.
I don’t think it was THE best episode ever though but how great is it that even weaker episodes are still much better than most good ones on other tv shows ? I am a major Huddy shipper but the show wouldn’t survive several Huddy centered episodes, something I am sure the PTB are aware of. Still I guess it was a necessary episode to set the décor for that new season and as usual it was handled as well as it could.
Being a bit caricatural here, I think that for a while now, the show has stepped back from its trademark “jackpot” backbone which was edge of your seat, patient centered plots. It has matured into a less exciting but deeper and more insightful character study, which was already there but on the back burner. I think it has decreased slightly in quality, but like every living entity, great shows are bound to decline and the end comes faster if the formula never changes and the writers run out of interesting stories to tell. This has not happened on House (yet ;-). The show has successfully and with a lot of courage negotiated a tricky crossing into adulthood, something that even the great Xfiles couldn’t achieve. I am still waiting for new episodes like a junky expecting its fix but hope with HL that when its time has come, the show will die with a bang and not dwindle forever. I have too high an opinion of the show to enjoy watching average new episode. I’d rather watch good reruns.
Barbara, I will have CZ on my Christmas list (like the major spoilerphobe I am, I will thrive in expectation and hope it won’t be sold out by then). Even if it were dull and uninspired (which I’m confident it won’t be) I would still have it just to thank you for that fantastic blog of yours I’ve been reading for free for a year now.
60 - Flo
Thanks to everyone for your kind words. I appreciate your insights too. :-)
@Rebecca, You're totally right about those two scenes. House's speeches about being unable to make people happy cause he can't change are very similar. It's a great parallel.
Also, what's interesting is that Stacy and Lydia were married women. It made things real complicated for House. Stacy loved her husband Mark and didn't want to hurt him.
Lydia never expected something that serious with House and made it clear it was temporary.
Cuddy is not married and want things to get serious.
In a way Cuddy did what Stacy wasn't really willing to do: she broke off her engagement. You can argue that breaking off an engagement is a bit easier than breaking a marriage but the fact remains the same.
Stacy was reluctant to tell Mark, Cuddy did't hesitate to end it with Lucas. She is realy available for House.
Prostitutes aside, House doesn't believe in one-night-stands. He's only interested in serious relationships. Lydia didn't want that with him (not that she could anyway). Stacy didn't know what she wanted, and didn't know what her night with House in "need To Know" meant. Cuddy knows. She acknowledges House wants to be serious with her, that he doesn't want a simple affair. So she makes herself available for him, telling him that's she wants him, that their on the same page. She wants and is ready to have a serious relationship with him. No regrets.
Regarding Cuddy kissing House's scar on his leg, I don't read fanfic so I wasn't aware that it was something fans had already written in some way. I didn't find it cheesy or cheap. For me, it was just the follow up of House's forgiveness in "Help Me". When he confessed to Hannah, that he made the wrong decision regarding his leg, he was also talking to Cuddy, admitted to her that he was responsible. At this point, he forgives her for what happened, soothing her long guilt feeling about this and he stops resenting her for it.
In "Now What", she's telling him that's it's okay, she loves him. It's her "I get it" to him, she got the message. I took this kiss as a gesture of closure on this matter. I could be wrong though.
61 - simona
Barbara, your reviews become ever more beautiful and moving, helping me to think and to desire to enter more and more in this wonderful series and in this wonderful character that is gregory House. Thanks so much for that. This reflection's place is irreplaceable. And again thanks to all of you because with your various comments stimulate me to reflect, to develop hypotheses, to test the thesis and keep in touch with my emotional side.
I've seen this episode only one time so what I'll try to express are only my first impressions.
You, Barbara, write in your review (scattered references): - "I am an insane choice for a woman with a child, he argues", "But Cuddy stuns him, saying that she doesn't want him to change", "she knows he is screwed up. Yet, she asserts 'You are the most incredible man I've ever met'. "It is this moment that House says words we haven't heard from him since that fateful day years ago, just before his life is irrevocably changed by a surgeon's scalpel. "I love you," he tells Cuddy, looking into her eyes.""
I was deeply moved by the mutual declarations of love of these two characters, because both were consistent with themselves and "who" they are and above all they both are laid bare by the enormous effort to declare what they have always struggled to said to each other. I'm not ashamed to say that they made me cry and I cried again reliving the scenes in your written review.
@33"Flo: "House and Cuddy history is made of missed opportunities. A bit like doors that could have been open but stayed shut, doors that were open at the wrong time etc."
Very interesting, it reminds me the movie 'Sliding Doors' and so many open questions: what determines our lives? destiny, fate, personal choices (and the constant reference to karma during the season 6)...
@36-Michele1L: "I have to say that in some respects I was a bit disappointed in this episode. It's probably due to the promos I watched. The love scene was greatly minimized,the intensely passionate portions removed".
I agree. For this reason I will try with all my might to avoid the promos :-)
@39-Delia_Beatrice: "Perhaps hoping that House will grow and heal enough as to think that "happiness can last" is a bit much. Let's lower our expectations (ha ha) and simply pray that damnation and destruction are not the only possible fate for this superb man... Damaged, complicated people can, and often do, find a kindred spirit (thanks for the quote, Sir Hugh) that manages to bring some glimpse of light and peace in their lives."
Without hope the life would be a terrible ordeal and perhaps that is why House is stubbornly looking for someone or something that allows him to believe. So I strongly hope he succeeds....
"I take you and i love you as you are - damaged, scarred, dirty, covered in the rubble of your past and your pain".
So moving and I just want to add that Lisa Edelstein's interpretation was excellent.
P.S. I don't know what debate there has been but I want to tell you that I appreciate your comments and I don't find them inappropriate. Your comments rather show that you are a person with an insatiable desire for more depth. And I like it :-)
@49"Kristin: "If it ends, it does but for one another there will probably never be a love like this one in their lives. Sweet, bitter, real. At their age I think they know this fact in their souls."
So well said! :-))
I don't know if any of you have seen 'Scenes from a Marriage' by Ingmar Bergman, a movie that initially presented the two main characters as a couple in enviable position and serenity, then following the separation, a series of wrenching tug. The movie's moral is: I can't live either with you or without you.
The love story of House and Cuddy seems to follow an inverted path. If we go back in time we realize that we've seen them from afar, somewhat close but far apart. We have seen these two wonderful characters walk "together and away" for six long years of their and our lives (it's impressive if I think about all this time!!). So after all this time can we say that we know them a little? :-) Yes? Ok, then I can say that I think that House and Cuddy embody all the moods that gives or requires love and this is why I love them so much: because they are "unreal"......real!
And this gives me hope. Call me insane ;-)
62 - Orange450
I wanted to add a thought I had about the concerns that House has about his ability to sustain a long-term serious relationship. It may be that I’m being influenced by the current time of year on the Jewish calendar, with its emphasis on introspection and efforts in personal evaluation and growth! But even though House’s knee-jerk reaction to the idea of a serious commitment is understandable and not at all unexpected, it’s also disappointing (to me, IAC), especially in the face of the year of therapy just behind him.
I’m sort of sorry that it took Cuddy’s declaration to get him past the barrier - and that, only after he’d predicted the inevitable ending of the story. I know that the contrast between this exchange and the similar one with Stacy was drawn with intent. But I’m sorry that Cuddy had to tell him that he’s the most incredible man she’s ever known (no matter how very true that is :)) and that she knows how screwed up he is AND WILL AWAYS BE.
Before she had to say that, I would so have loved to hear him express the idea that while he knows how screwed up he is, and what his predilections are, and he can anticipate his typical pattern of behavior - this time he’s going to TRY to get on top of the terrible things he’s done to her in the past. And even if he’ll end up doing terrible things to her again - and who among us in long-term relationships doesn’t have way too much to apologize for? - at least start off with the explicit intent to TRY. Not the knee-jerk bow to the inevitable “nobody ever changes, nobody can change” in defeat!
Don’t mind me; I’m just venting :) But being conscious of the fact that there’s an entire philosophy and significant world-view that rests on the notion of Teshuva - that by dint of sincere soul-searching and hard work, it IS possible to be in the same place and NOT make the same mistake again - I dearly hope we get to see House at least make the effort. Because I love it when he smiles :)
63 - simona
@Flo 60 - "Regarding Cuddy kissing House's scar on his leg, I don't read fanfic so I wasn't aware that it was something fans had already written in some way. I didn't find it cheesy or cheap. For me, it was just the follow up of House's forgiveness in "Help Me". When he confessed to Hannah, that he made the wrong decision regarding his leg, he was also talking to Cuddy, admitted to her that he was responsible. At this point, he forgives her for what happened, soothing her long guilt feeling about this and he stops resenting her for it.
In "Now What", she's telling him that's it's okay, she loves him. It's her "I get it" to him, she got the message. I took this kiss as a gesture of closure on this matter. I could be wrong though."
You have been able to express very well what is my thought about that moment. I totally agree. Thanks :-)
64 - simona
@Orange #62 - "I’m sort of sorry that it took Cuddy’s declaration to get him past the barrier".
House did not finish the treatment (I hope it continues), he is still in mid-stream, he is still full of insecurities because he has not finished compiling his own past. Maybe that's why he needed a little push? ;-)
And I love it when he smiles too, his smile goes straight to my heart...
65 - Puick
This isn't a review, is a summary
66 - Orange450
@simona #64
I also hope we get to see House's therapy process continue! I can imagine how illuminating and fascinating it would be to witness sessions with Dr. Nolan as they tackle House's relationship building/maintenance experiences, obstacles and hopefully - revelations :)
67 - Rory Alex
I had an epiphany. As a long time Comics fan, i just realized that House is actually Batman/Bruce Wayne(in Comic verse) in a white coat, rather than a Bat suit. That would make Cuddy his Catwoman, Wilson would be Alfred and the rest of the cast the extended Bat family. The patients would be rotating cast of villians! If you're a comic fan, you'd know what I'm talking about. Gotham has merely been tranplanted to a hospital. Tell me I'm crazy.
68 - Michele1L
Flo#44 - Yes, when House in the champagne scene says,"slightly wrong", that totally sounded like Hugh to me -- especially when he said, "slightly" and the ease at which he smiled.
Greenhouse#45 - When House tells Cuddy he loves her, I think it was another one of those parallels the directors/writers of this show draw. It reminded me of the scene in House's bathroom where Cuddy finally admitted to loving him. She was standing above him, he, again, below her, only this time, he's the one saying it. Not sure what the whole thing about him being below her is about. Perhaps because she is more often than not his rescuer.
ruthinor#46 - Thanks for the info on the boss/subordinate thing.
rsg#56 - Yaaaaaay! The apartment is back! I've missed House's personal space so much because I've always loved it! It has always felt so enveloping to me -- like a warm coccoon.
Leodie#59 - Good point about "House"'s weaker episodes being better than other series' best episodes. So true.
Simona#61 - "Avoid promos", good advice! I was just so desperate at the time I had to go to Youtube and watch the different regional ones posted there.
69 - andreec
Great insight by everyone. A couple of thoughts to counter some observations by others:
1. the goodbye scene after the door closes. To me it symbolizes their need to be together. When together, they don't doubt themselves. Apart, they fear how things might go awry or end when they clearly want more than anything for this to work. They need to be together and are stronger for it.
2. Cuddy hiding in the closet: Seemed to me she hid because she knew House wasn't ready but she also knows Wilson has a big mouth and will let the news out before either of them are back at the hospital. She was right. House was also right in protecting her from being outed before she was ready. They are both in the throes of experiencing this budding real relationship together. Worrying about what others think or gossip isn't a stage either is ready to confront just yet.
3. I lobe you. House was testing Cuddy's reaction. Her sweet smile but slight doubt after he semi-deflected the situation let him know she was ready to pursue this relationship to the max and not just for sex. He played it right holding back just enough. His declaration he loved her was his way of letting her know he trusted her fully after she told him she didn't want him to change and wanted him as he truly is. Thought it was the height of vulnerability for both of them within seconds of this truth.
4. House keeps Cuddy in the Dark: House not letting Cuddy know of the neurosurgeon issue was perfect and not him playing his old tricks. He attempts to solve the problem through Chase because he knows things won't come to the point a neurosurgeon won't be needed in the next few hours (given based on past infrequency?) I saw it more of House trying to give Cuddy time to enjoy herself and not be rushed. Of House wanting to enjoy her all to himself instead of competing with Rachel and the Hospital for her time. He was right when he said "This is important." Cuddy needed him to point that out.
Lastly, I loved the hearty sex romp of the two of them falling on the bed together (okay, LE's hips and curve of her bottom were clearly nekkid, these two actors have no secrets anymore!). So energetic and spent. House hugging her back and embracing her. Her petulance over him 'hiding' her from Wilson." These two are so into each other they haven't bothered to think past each other and how others will react or what will happen that far down the road. The couple just needed to be for a while before clarity and reality set in. Cuddy realizing House was protecting her made her realize she hadn't bothered to think how he might want their news to be revealed. Then she realized they both had a stake in this from numerous angles.
I'm very pleased with the episode and at first (gulp) felt slightly let down at the end of the epi when the two looked worried about their new status after the apartment door closed. I can only hope that House continues to be his wonderful wacky self but doesn't push her too hard or tease her so mercilessly that it becomes borderline sadistic. He tends to hurt her sometimes. If he's respectful of her and doles out the sweetness he's capable of and works at this situation, then he'll find happiness.
I do fear the writers will make House a bit unpleasant in ways that are new (too neurotic about when and how it will all come crashing down) concerning their new couple relationship. I do hope to see House recognize he is in control of his future and theirs as much as she is of herself and their relationship because both have to give and take, both have to want it to work and not rely on the other to accept whatever bad behavior might happen. House, I fear, might just stick to "you knew I was screwed up when you got into this" and that's not mature enough to sustain this type of relationship. House needs to be cognizant of his actions and deeds if he wants Cuddy to be there longterm. How he handles it will make Season 7 worth watching. If he regresses to meaness or crankiness out of habit, he's a goner and so is season 8. Lets hope for the former option!
70 - LizzieE
Thought provoking comments from all as usual.
Orange #62 - I too would have preferred something more from House at least indicating his resolve to try not to do "terrible things" to her. I doubt if anyone I know would still be in the room after such a declaration from the person you love. And yes, I get that Cuddy doesn't want him to change but I would think that is in reference to his professional, not his personal life - they both rely on the rhythm of their interpersonal dynamic in the workplace. To me though, there have to be some boundaries that can't be crossed and some recognition that, at the end of the day, your significant other will be there no matter what. I hope the writers will explore those issues in a more cohesive way than was done in this episode. I know I found the editing problematic and very choppy - maybe illustrating D. Shore's comment that they have not done an episode like this before. It almost seemed as if there was an episode checklist where scenes were rewritten and reshot to illustrate a certain point and then spliced together - they knew where they wanted to go but were unsure how to get there (too many cooks?).
I too am venting to an extent but that's only because I care about the relationship and hope that it can be protected and nurtured not developed only so it can fail (glass half full not half empty).
71 - barbara barnett
Puick: Not sure exactly what you mean.
hwl: you mean this little passage from "Pictures at an Exhibition?":
"Cuddy moved yet closer as she massaged, so that her body was even with his knee, firmly stroking the outside of his leg from the knee to the hip with her right hand as her left worked the remaining muscle of the damaged area and his inner thigh. House sighed as he felt the pressure increase and subside, causing sensations of pleasure to course through every nerve ending in his body. House perceived a very slight change in the way Cuddy was manipulating his leg. Her strokes were becoming more languorous and less precise; he thought for a brief second that she had scraped her nails gently across the junction between his leg and his pelvis. But it was too brief to be certain, and, in any event, surely a momentary lapse on her part. And then it happened again, as her hands approached the area just below his groin twice more, sending signals right to the pleasure center of his brain.
And then he experienced something new as she kneaded, stroked and prodded his scarred leg: the unmistakable pressure of Cuddy's moist lips. House gasped. He was lost to the chaos of sensation, aroused and intrigued.
"Cuddy," he pleaded. She stopped, looking up at him, suddenly embarrassed. It was the last thing he had wanted"for her to stop.
"I'm sorry, I… Did I hurt you? I must've…I'm…"
"No. I…" Their eyes caught and held, each looking for permission that had already been more than granted. House pulled Cuddy up to the sofa from where she had been seated, sending the chess set tumbling, forgotten, to the floor."
Rory Alex: Believe it or not, I make the argument in CZ that House is like Batman in several ways.
72 - hwl40
Simona@61 So glad you mentioned Scenes from a Marriage. Do you remember in "Baggage" toward the end when Nolan says "Relationships..." trying to tease out what is going on with House and House can't come up with an answer and so takes it like a word association game and says "Bergman". "Scenes from a Marriage" has got to be the reference. Don't remember the movie very well but the little I do recall was a downer, a perfect association for the man who assumes that no relationship will work for him.
Orange@62. Not being Jewish, never heard of Teshuva but think I might convert if that part of the philosophy as that belief would, as my southern relatives say, "get you up the hill". Maybe that's what Cuddy can bring to House. Thanks for sharing.
Barbara: Yep, that's the one. Love St Doris but she's not the only one who can write. For those who haven't read the whole piece, it is really lovely and very true to the characters.
73 - Amanda
Thanks for writing such a well-thought-out and spot-on review of "Now What?" I’m hardly a devoted “House” viewer, nor am I a “Huddy” (House & Cuddy) fan, but I totally enjoyed the 1st episode of season 7. House & Cuddy were engaging (and sexy!) to watch on screen together. Their love-making scenes " and more importantly, the “before” and “after” dialogue " were sensitively written and acted, creating a truly intimate, but in-character, feel. And the witty banter between the two was very “House,” and prevented the show from veering too far off-course from the formula that fans have come to expect. What's more, Hugh Laurie & Lisa Edelstein really aced the material.
The secondary plot-line involving the doped-up neurosurgeon was substantially weaker than the main House/Cuddy story arc, and, at times, seemed a little over-the-top. But it was essentially harmless and mildly fun to watch.
What’s really going to make me tune in for next week’s episode is my curiosity over how the whole House/Cuddy relationship saga is going to play out. House is such an interestingly flawed, complex character that I’m sure that this next stage in his evolution (this time, in the sphere of personal relationships) will prove as entertainingly topsy-turvy and tortured as everything else involving Dr. Crankypants. In other words, I’m sure we can expect a bumpy " but intriguing and infinitely watchable " ride, regardless of how the Huddy romance unfolds.
74 - ruthinor
I can't recall whether or not it was on this site that someone pointed out the Bar Mitzvah cake for 13 has two meanings here..It never occurred to me. The age of the Bar Mitzvah boy?
I'd like to get people's thoughts on why Cuddy finally made her decision (other than TPTB). My own feeling is that she had been thinking about it for a while, before the crane collapse and subsequent events that night. If Lucas hadn't asked her to marry him, causing her to really focus on the future, would she have been content to just go on as before?
I can't recall the name of the episode in season 6, but House was in Cuddy's office and they were talking about Wilson. Cuddy says" you won't believe the things that Wilson doesn't tell you". Then House gets all snarky and says "you mean the fact that you slept with your father's best friend?" Cuddy says, almost under her breath, "I'm going to kill him". Later in the episode, Wilson seeks out Cuddy in the cafeteria to get her thoughts on his getting together with Sam again. She seems, not rude, but distant and a bit cool towards him. At first I thought, she's still angry about Wilson telling House about her affair. But on second thought, Cuddy knows that Wilson blabs everything to House, so I don't think she's angry. She seems thoughtful, and when she tells Wilson to go for it, I think she's also thinking about her own situation.
75 - Eileen
You know what's so much fun??? Coming back to this sight days after B.B.'s wonderful review and finding people STILL adding their thoughts and comments to this amazing show (and this wonderful episode, in particular). House sticks with you -- in a good way -- which not everybody can understand. But all of you can. And for me, that's wonderful!