Trois Vies & Une Seule Mort Review

Chilean director Raul Ruiz created a weird, wild, fantastic world with Three Lives and Only One Death. Marcello Mastroianni plays four different characters in as many different stories that at first seem completely separate, but by the films end are wholly intertwined. It is beautifully, almost mystically shot, effectively using shadows, light, and computer imagery to create painted like imagery. It is a bit confusing, but wholly satisfying film.

In the first story Mastroianni plays a salesman who walked out on his wife (Marisa Paredes) twenty years ago. The wife has since found another husband (Feodor Atkine) and is living a seemingly happy life. For reasons left unexplained Mastroianni suddenly decides he wants his old life back. He catches the new husband, at a Tabac and offers to pay him 1,000 francs for a hour of his time. What proceeds is an imaginative, fantastic tale of why Mastroianni has been gone for twenty years. It is far to complicated to explain here, but lets say it involves a room with moving walls and tiny fairies who prefer to eat franc bills, but will settle for newspaper. The end of the story finds Mastroianni wanting to leave the second husband in the fantastic room, while he moves back in with his wife.

In the second story Mastroianni plays a successful professor who, for reasons that are all his own, become a beggar, and a rather successful one at that. He befriends a prostitute (Anna Galiena), who he later finds out isn’t all she pretends to be, and whose husband (Jacques Pieiller)is something of a psychopath.

In the third story a young couple (Chiara Mastroianni and Melvil Poupaud) find themselves being mysteriously supported by an unnamed friend. After months of finding 1,000 francs in their mail box each week, they learn this mysterious stranger has died and left them his mansion. The catch is they must keep on a peculiar butler (Mastroianni of course) or lose everything.

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Article Author: Mat Brewster

Mat Brewster is a periodic ex-pat wondering if he'll ever find a home. You can find him musing on pop culture, and obsessing over concert bootlegs at The Midnight Cafe.

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  • 1 - DrPat

    Mar 29, 2005 at 7:37 pm

    turning off bold-face...

  • 2 - DrPat

    Mar 29, 2005 at 7:38 pm

    try again...

  • 3 - Scott Pepper

    Mar 29, 2005 at 10:40 pm

    got it, thanks DrPat

  • 4 - Mat

    Mar 30, 2005 at 2:15 am

    Yes, thanks. Sorry about that. I guess that's why you shouldn't post just before you go to bed.

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