The Great Cartoon Debate, Part I

It started with this post on my weblog, in which I gave some very sour birthday greetings to Donald Duck. The comments evolved into a Warner Brothers/Disney cartoon debate, so I decided to bring that debate to the front page, which only made the debate more convulted by bringing Hanna Barbera, MGM, Nickelodeon and others into the fray. So I took it upon myself to open the debate to include all cartoons, which is resulting in a rather long series on the topic. This is the first of many.

_______________

Perhaps this is the wrong way to go about things, but it's my blog and my chosen topic at hand, so I'll make up the rules.

In the great debate over the best cartoons - which started out as a WB/Disney debate but now includes all the HB stuff as well as some other viewer chosen cartoons - here is how I decide which reigns supreme: How have said cartoons impacted my life in terms of pop culture references?

Silly? Yes. But we are talking cartoons here.

When I say references, I take into account the following:
* Have I ever dressed up as one of the characters for Halloween?
* Did I ever have any household accessories (bed sheets, etc.) with their likeness?
* How many times have I quoted any of the characters?
* If any of the characters break out into song, can I recite those songs from heart?
* How many of the theme songs can I sing?
* How many times in my life have I referenced the cartoons when talking about a completely different subject or used any of the cartoons to make a point in a discussion?
* How much of their "stuff" do I own?
* How many childhood-young adulthood memories involve any of the characters?
* How many episodes of a show can I recite nearly word for word?

There's more, but that should suffice for now.

After careful review of the criteria, it seems that Disney cartoons (remember kids, we are talking about television cartoons and not the Disney movies) had very little impact upon my career as a pop culture referencer. Yes, that's a word and a career. Just made it up, but that does not make it any less real.

It wasn't until the later Disney stuff, after I had children of my own, that had any kind of impact on my daily living and that's only because I now like to walk around saying Let's Get Dangerous! at random times. Darkwing also had a slew of opening lines he used when he appeared in a puff of smoke to save the day, such as I am the surprise in your cereal box! I like to use these sayings at times, though not as randomly, as there is a place and time for each of these quotes.

The terror that flaps in the night singlehandedly saved Disney from being relegated to "not culturally important enough" status in this debate. We had Darkwing cereal bowls, beach towels and t-shirts. We even got his autograph when we went to Disney World.

Darkwing was part of the Disney Afternoon block of cartoons that started airing in 1990. The original incarnation of this series included animated Gummi Bears, which struck me as inane. Talking cats and ducks? Fine. Talking candy? No. There was also Chip and Dale's Rescue Rangers, Ducktales, Talespin, Goof Troop and Bonkers. Other shows were added later, but at that point my kids had switched from The Disney Channel to Nickelodeon (save for Gargoyles, which was a pretty neat show) and we missed out on such grand fare as Shnookums and Meat.

Continued on the next page Page 1 — Page 2

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Article Author: Michele Catalano

Michele is from Long Island and writes about two of her favorite things - punk rock and fast cars -along with her better half at Faster Than the World.

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  • 1 - Vern Halen

    Jun 13, 2004 at 9:49 am

    Other than maybe Rocky & Bullwinkle, it's Warner Brothers all the way!


    For instance:

    "What a gulli-bull! What a nin-cow-poop!"

    "Do you want too shoot him now or shoot him later?" "Waitaminnit - it's not 'shoot HIM now,' it's 'Shoot ME now!' SO SHOOT ME NOW!"

    "There, yer nice and clean,
    Although yer face
    Looks like it might have gone
    through a machine............."

    "Be vewy quiet - I'm hunting wabbits!"

    "Haussenpfeffer?"

    "That's the nice big fat opera singer.."

    "Ya da da da da, Abraca Ho-cus!"

    "No not the wed one! DOn't ever push the wed one!"

    "Fifty thousand Kronkites?!?!"

    "Of course, you know, this means war..."


    Now, Disney:

    "Gee Pluto!"

    "Gawrsh!"

    "!@^#&&#&@#&!!!" (Donald Duck, any series of quotes)


    And everyone else:

    "Casper, the friendly ghost, the friendliest ghost we know...."


    No contest, really.

  • 2 - Shark

    Jun 13, 2004 at 2:05 pm

    THERE IS 'NO CONTEST', NO DEBATE: That is an illusion.

    Old Warner Bros. can never be topped. Ever.

    *Kill da wabbit, kill da wabbit~


  • 3 - Jim Carruthers

    Jun 13, 2004 at 3:40 pm

    Well, there are the superb Max Fleischer roto-scoped Popeye cartoons and the original Superman cartoons.

    Plus, the bargain-basement efforts of "Rocket Robin Hood", "The Mighty Hercules", and the original "Spiderman" (which was responsible for the demise of my brilliant career as a musician.).

  • 4 - Shark

    Jun 13, 2004 at 6:23 pm

    Jim, those Fleischers were technically beautiful, but based on Catalano's kinda arbitrary criteria, they don't even approach getting near being considered for an audition on The List.

    They're all just William Hungs.

  • 5 - Shark

    Jun 13, 2004 at 6:39 pm

    BTW

    Re. those criteria - MY OPINION

    I would throw out the following as sorta ridiculous, and definitely weighted toward Disney and/or any overmarketed, merchandized crap:

    Have I ever dressed up as one of the characters for Halloween?
    Did I ever have any household accessories (bed sheets, etc.) with their likeness?
    If any of the characters break out into song, can I recite those songs from heart?
    How many of the theme songs can I sing?
    How much of their "stuff" do I own?

    MORE IMPORTANT CRITERIA:

    How many times have I quoted any of the characters?
    How many times in my life have I referenced the cartoons when talking about a completely different subject or used any of the cartoons to make a point in a discussion?
    How many childhood-young adulthood memories involve any of the characters?
    How many episodes of a show can I recite nearly word for word?

    MOST IMPORTANT -

    Which cartoons not only best reflected their culture, but were later assimilated into said culture and resurfaced later, created and/or influenced many other self-referential industries, arts, etc?

    Once again, using that, WB wins without a doubt.

    (Note: One can't even keep count of the writers, actors, film directors, artists, comedians, comic book illustrators, etc. who have Tex Avery, Frank Tashlin, Mel Blanc, Bob Clampett, Friz Freleng, Chuck Jones,
    Bob McKimson, and Carl Stalling)

    whew.

    OH AND BTW: Until the recent demise of old WB on TV, most of the music heard from toddlerhood to teenage years (among boomers, their parents, and their children!) was 'assimilated' from old WB cartoons. Pop songs from the 1930s cartoons ("If I Only Had a Hat" - "I Only Have Eyes for You" etc etc) --- to classical quotes such as 'Fingal's Cave' by Mendelssohn and Liszt's Hungarian Rhapsodies.

    Everything I know, I learned from Termite Terrace.

  • 6 - Shark

    Jun 13, 2004 at 6:42 pm

    SORRY, I get excited talking about cartoons!

    That paragraph SHOULD have read:

    "...One can't even keep count of the writers, actors, film directors, artists, comedians, comic book illustrators, etc. who have mentioned Tex Avery, Frank Tashlin, Mel Blanc, Bob Clampett, Friz Freleng, Chuck Jones, Bob McKimson, and Carl Stalling... AS INFLUENCES ON THEIR ART..."

    doh.

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