We have animation, experimental, dark comedy, horror (usually hybrid horror films, not pure 'genre films'). I think there is a film for everyone at the fest (except for small children), but not every film is for everyone — some programs are more accessible than others. We have risqué content as well, including a documentary on stag films and a ’70s-style sexploitation film this year. We also have a fairly benign, but no less interesting, documentary on urban explorers. It really runs the spectrum. No action films, though — and no romantic comedies.”
In discussing the difference between art house cinema and the type of film screened at BUFF, Feder noted that
“Art house cinemas often play low budget versions of Hollywood fare these days. They have to in order to stay open… The films we play aren't just low budget versions of the films that are already out there. The work is more original, takes more risks, and is ultimately more rewarding for the viewer.”
While most of the films screened at BUFF have been made on small budgets, Feder is quick to point out that low budget does not equal low quality and that the selections are all well-made films.
Feder speaks of her commitment to BUFF with the passion of someone who has found her mission in life. Among the challenges of sustaining a small regional festival are “…standing out from the plethora of other festivals in the area to attract attendees and to attract sponsorship. Finding competent people to work for free is a pretty big challenge as well.”
The Internet has played a significant role in making small enterprises like BUFF more viable. Withoutabox is an online service that offers a streamlined submission service for both filmmakers and film festivals, providing both sides of the equation with a centralized point of access. Feder says that the service has been a huge asset to small festivals, making their jobs easier and also allowing for easier networking via message boards. Myspace has also proven to be an asset, allowing for quick news updating and providing an easy mechanism for keeping people informed and sending out press releases. A good deal of festival marketing happens online, and as Feder points out, “…99% of our audience is regularly on the web, so it works. And it's free. We do banner exchanges and take advantage of our sponsors' e-mail lists to have them blast info about the fest.”
Article comments
1 - Aaron Fleming
Ooh, I Stand Alone and Tromeo & Juliet, nice choices!
2 - BenP
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