The Avengers (2012): Well, That Looked Expensive

I’m not "a Marvel" but I am a she-geek from way back, so I took off work early on Friday to see The Avengers on its opening day and I must say it’s the most expensive comic book I have ever perused.   What I mean is that people saying it’s the "ultimate comic book movie" are more on the nose than they may realize – and it’s less of a compliment than they think.

Briefly, this is a movie for people who have actually had that "Who would win in a fight between Hulk and Thor" argument.  It has a typical Marvel plot: a thin, generic one that serves as a rudimentary framework for a series of fights.  The fate of the world hangs in the balance, and the bigness and badness of the big, bad threat is impressed upon as if… Well, I’m not saying Mr. Whedon thinks we’re stupid, but let’s put it this way…(switching comic universes for a moment for reasons that will soon become clear)  The old school Batman has a silhouette of a bat on the center of his chest, set off by a bright yellow oval.  'Cause he’s Batman.  Got that?   Bat-Man.  So there’s a bat and he's a man… Okay, I’m going to assume you were all able to follow the logic there without belaboring the point with the Power Point slides and sock puppets.  The Avengers is a movie written by and for people whose idea of “subtle” is to remove the yellow oval.

It is also a typical comic-reading experience in that you may well read 18 issues of colorful but empty "stuff" (that may or may not bore you to tears, Ironically, Tony Stark gives The Avengers its only heartdepending on your mood that day) to get to a scene/few panels of absolute and unrivaled awesome. The Avengers does have those moments.  They’re exclusively when Robert Downey Jr. is on screen, and it’s ironic--as only disappointing comic books can be unintentionally ironic--that Tony Stark brings the only moments when The Avengers has a warm beating heart under all the synthetic sturm und drang.  His exchanges with Pepper, with Bruce Banner and with Loki are, quite simply, the only times the story has the ability to make the ordinary non-comic fans care.

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Article Author: Chris Dee

Chris Dee is an award-winning playwright, entertainment consultant, and author of the Catwoman metafiction series Cat-Tales, who brings real life experience to her storyverse, fusing it with unimagined truth and depth.

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Article comments

  • 1 - The Other Chad

    May 08, 2012 at 2:40 pm

    You think the 'Dark Knight' movies are art? Seriously? The Batman franchise is another cash cow. Those movies are coffee jingles, too, you simply happen to prefer their different tone and approach. DC is no different than Marvel in that they both want to make as much money as possible.

    You talk about DC's esteem without mentioning their 200 million dollar failed jingle, "Green Lantern"? DC's cinematic track record hasn't been all that robust outside of Batman.

    I get what you're saying about The Avengers, to a point. While I thoroughly enjoyed the movie, in the end I was hoping for something weightier. But I think you're grossly overstating the quality of the Nolan films by equating them with Mozart, etc. - and by suggesting they are representative of DC's filmography in general.

  • 2 - Big T.

    May 08, 2012 at 10:42 pm

    There's always got to be one critic to rant against all the good reviews so they can feel superior to everyone else.

  • 3 - Igor

    May 09, 2012 at 3:37 pm

    What!? No Emma Peel? No leather-clad Diana Rigg? What is this movie?

  • 4 - bob zhang

    Sep 23, 2012 at 6:20 pm

    Mozart was told to write operas about kings, noblemen, etc but he wrote operas about regular folks, wrote music for street performers, etc. Mozart was treated poorly in his time by the 'vapid' definers of his day. This is an example of people getting pleasure but only if they are aware of the performer; in this instance, they were not. I guess it helps to pay $100+ per ticket to enjoy the performance.

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