Deep into Hellatus before Supernatural’s eighth season, I find myself wondering what Jeremy Carver is up to in that writers’ room. I know he’s a wonderful writer, but I’m most interested in his show-running talents. What does he feel drives the show? How does he intend to structure the storytelling? These questions are foremost in my mind because I’ve been thinking over what worked and what didn’t last season.
Hero Myths and Character Studies
Though Supernatural draws heavily on the horror genre, fuelling many of its plots with urban legends, the show’s core is actually a hero myth wrapped around character studies of the heroes. Each season our heroes must complete a quest because they are the only ones who can. And each season, we watch the terrible price Sam and Dean must pay to succeed. The question that runs through the series is: what does each brother need to keep going? And over and over, the answer is: each other. Family ties, in all their terrible complexity, permeate Supernatural. Love is the greatest power of all, triumphing over evil and good intentions gone bad.
The mythic overtones of the story give the plot real depth, while Sam’s and Dean’s personal journeys give the narrative a resonance for many viewers that transcends the fantasy elements. The audience cares about both boys individually and as brothers. Their bond, while more co-dependent than is usually deemed healthy, gives them the strength to sacrifice what they must to keep going. As Lucifer found to his cost, Sam and Dean will fight to save each other even when they have given up on themselves.
In the first five seasons, there was a finely crafted balance between Sam and Dean’s external quest and the exploration of their internal journeys. Season one’s quest was to find John Winchester and learn what his quest was. Sam’s personal arc was to realize much of his conflict with his father was based on their similarities, not their differences, and he was lying to himself about not being a hunter. Dean’s journey was to admit he was insecure about his place in the family, even as he worked to keep everyone together. The boys’ shared journey was to reconnect with each other because they needed each other. It’s possible to describe the following four seasons with equally clear quests and journeys.
A New Beginning
When Sera Gamble took over as show runner in season six, she had a huge mandate: reboot the series so it could go on post-Apocalypse—or post-NonApocalypse. Gamble was and is a fine writer. Episodes like "Faith" (with Raelle Tucker) and "Heart" deepened the characterizations of both Sam and Dean. Her challenge was to grow into a show runner—and here she had a few growing pains.






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Article comments
1 - SamanthaC
SPN was at its best when the plot revolved around Sam and Dean, when what happaened happened because of them and their family and their mistakes and their past.
That's something I hope the writers can remember: the plot moves around the brothers, not the brothers around the plot.
2 - Gerry
Hi Samantha! I do agree that Spn fires on all cylinders when the boys' personal stories move the quest arc and vice versa. I have great hopes that Jeremy Carver will find a good balance next year. He's not only a really good writer, he shown he has a talent for show running. I just hope TPTB give him the creative freedom to do what he wants.