Sundance Day 6: Five Minutes of Heaven, The Informers, The Winning Season, and Peter and Vandy

Part of: The Sundance Journal

I got an early start today at 8:30 a.m. Yes, they actually show films that early up here. Between 8:30 a.m. and 7:00 p.m I saw four films, each of them quite different from the others.

Five Minutes of Heaven

Like I was saying, it’s pretty hard to start watching movies at 8:30 in the morning. It’s a good thing that Five Minutes of Heaven was 90 minutes of genius filmmaking. It did get screwed with its timeslot in the press screenings though -- early in the morning and on Inauguration Day. Needless to say the theater was nearly empty.

Five Minutes of Heaven tells the story of two men caught up in the conflict in Ireland in the 1960s. As a youth, Alistair (Liam Neeson) killed a man. That man was the brother of Joe (James Nesbitt), who witnessed the shooting as a young boy. Years later Alistair and Joe are grown men. Alistair served twelve years in prison for shooting Joe’s brother. They are about for the first time on an Irish television show that wants to film the meeting between the two.

For the past 33 years Joe has had to live with the guilt thrust upon him by his mother. She blamed Joe for his brother being killed. Even though Joe wasn’t older than 10, she still continued to blame him. The effects of this mental abuse can be seen in Joe as an adult. He’s constantly nervous and fidgety. He plays things over and over in his head. His undeserved guilt still deeply affects him.

The second act of the film — when Joe and Alistair are about to meet — is filmmaking at its best. Suspense builds and builds with an obviously agitated Joe and a shaken Alistair.

The acting here is superb. Nesbitt plays a man on the edge better than anyone I’ve ever seen. You can tell that deep down he really is a good guy, but he wants revenge. He wants revenge for his brother and for what happened to him in the aftermath.

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Article Author: Aaron Peck

All of Aaron's reviews first appear in print for The Herald Journal Cache Magazine. He's also running the fledgling film site The Reel Place.com.

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