Oscar Analysis: Cinematography

BEST CINEMATOGRAPHY

• Batman Begins - Wally Pfister
• Brokeback Mountain - Rodrigo Prieto
• Good Night, and Good Luck - Robert Elswit
• Memoirs of a Geisha - Dion Beebe
• The New World - Emmanuel Lubezki

Think about your experience in a movie theater, as you sit and watch the feature presentation. The lights begin to dim, the popcorn is already half gone, and the background music of the film rises. What if the excitement that the soundtrack to a film brings was the only way the filmmaker could deliver his or her message to you, the audience? It would make for a fairly unique yet completely wasteful theater experience, right?

It is the role of the cinematography to do many things with the use of a camera. Their basic function is to tell the story with pictures, and deliver emotions and plot points without the use of sound whatsoever. The cinematographer is the man or woman who is solely responsible for the look and feel that I film takes on as it is delivered to you on the screen. Their craft is perfected by those who can deliver a unique point-of-view on the story, wow you with beautiful cinema landscapes, and ultimately make you forget that you are watching a film and engross you in the surroundings of the story.

The nominees in the category of Cinematography this year do exactly that, allow us to escape into the fantastic worlds of superheros, experience what television was like when it was first born, escape to the tops of Wyoming's great mountain ranges, recreate the world of America as it was when it was a naive and uncharted territory, and even allows us to see life through the eyes of a real Geisha. The create the escape into the visual realm of fantasy and draw the viewer in with what seems to be an astounding eye for the right angle of the right motion to deliver a great story.

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