On Our Way To Fall: Music in Alan Ball's Six Feet Under - Page 2

The operatic mood is sustained throughout the next five seasons, with particular early emphasis through the use of Vivaldi and Mozart. Yet the most unforgettable musical moments are decidedly more pop in nature, from Peggy Lee to Kelly Clarkson. Even as the show presents itself as a dark, brooding indie production, its use of mood is far more varied. The inclusion of lighthearted, uplifting or pop radio music (as well as the twisted humor of the narrative and dialogue) belies the tragic undertones of the work. The aforementioned Lee, a '50s pop jazz icon, is a thematic link for the character of Nathaniel throughout the rest of the show, providing background music for his scenes with Nate especially, and establishing him as a carefree yet romantic figure. This is a consistent choice on the part of Ball, but there are many other times when music, plot, and visual poetry sublimate a mundane current of tension into something far more powerful.

In season two Nate revisits his old flame Lisa in Seattle while recovering a body for Fisher & Sons. He takes his younger sister Claire with him, and during the trip the two have one of the few serious moments of bonding they’ve shared since Nate returned from Seattle (also since the death of their father). As they exit the car outside Lisa’s place, Yo La Tengo’s “Our Way to Fall” plays rather prominently over a close-up shot of Nate observing her house. It’s a fairly romantic song, with whispery vocals and hushed sounds; the lyrics recalling a moment of first love. Nate and Lisa were of course previously involved, and sparked by this moment, they will be involved again later.

Yet the song selection at this juncture is far more perceptive than simply foreshadowing the future or recalling the past; it underlines the emotion that Nate must be feeling upon approaching this place as well. He has recently had difficulties with his current girlfriend Brenda, and returning to Lisa reminds him of the innocence and youthful energy of the past – something Nate is constantly seeking throughout the show. This marks a major turning point in Six Feet Under, because what Nate decides to do in Seattle will come back to literally haunt him for the rest of the series.

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  • 1 - Peter

    Jan 15, 2007 at 2:09 pm

    wow, amazing essay. now i have even more reason to love that show!

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