Almódovar plays all of this surprisingly straight. He documents the strangeness and struggles Raimunda must endure after her husband’s death — which includes stuffing his body in a large freezer and burying it by a lake — with much less of the dark wit and high style he’s famous for. What follows are a number of diverting and funny, but only mildly compelling, scenes of Raimunda and her clan making sweet music, sometimes literally, out of their hard lives and painful pasts. Life-changing secrets are exposed, the dead rise from the grave and a once broken family finds solace from the harsh world within itself. It’s all well done, steadily tailored and glossed, but the bigger moments don’t pull you in like they should.
Cruz delivers like a champ despite the film’s mostly flat tone. The early raves for her performance are dead-on. She’s never been better, not even in her other much lauded Spanish language work. Her verve here is infectious and her pain believable. She knew she was making a Pedro Almódovar film. It’s too bad the director seemed to be aiming for something else.








Article comments
1 - Samakshi
Hey
nice review :)
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