Movie Review: The Wrestler - Page 2

The Wrestler is a variation on the film noir subgenre, the fight movie, which only serves to underscore the parallels between Robinson and Rourke. A rising star in the eighties, Rourke's bad decisions, like interrupting his career to venture into the world of boxing, interrupted his ascent. Noxious behavior in his personal life, which included arrests for spousal abuse and a DUI, further illustrate his penchant for masochism. His newfound vigor in returning to acting is evident in his portrayal of Robinson's climactic attempt to recapture the glory he once garnered in the ring.

Rourke's iconic performance is both powerful and touching. Like Brando, who was always ill at ease with his handsome looks, Rourke has shown signs of the same. The onetime pretty boy now has a face scarred by reconstructive surgeries after the beatings inflicted in boxing. And Robinson's bloodied visage evokes previous roles in which Rourke has taken safe harbor, away from his looks, like Marv in Sin City, or John Sedley in Johnny Handsome (1989). These ugly bruisers both hid a secret, child-like soul, the same way Robinson does. In one scene, Robinson's loneliness prompts him to step outside his trailer home, and invite a neighbor kid to play a wrestling game on an outdated Nintendo. When the child loses and politely decides to leave, Robinson is embarrassed that not even a rematch can entice the boy to stay.

The Wrestler should go down as one of this actor's landmark roles, but don't call it a comeback. He's always been around, even if we haven't always been looking.

Darren Aronofsky will discuss The Wrestler at 1:30 p.m., Saturday, October 11, at the Stanley H. Kaplan Penthouse, located on the tenth floor of the Samuel B. and David Rose Building, 70 Lincoln Center Plaza, New York, New York, 10023; $16

The Wrestler is the closing night film at the 46th New York Film Festival, and is playing at 8:30 p.m. Sunday, October 12, at the Avery Fisher Hall, 70 Lincoln Center Plaza, New York, New York, 10023; $40

Photo Credit: Fox Searchlight / Wild Bunch / Film Society of Lincoln Center

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Article Author: Tony Dayoub

Tony Dayoub is a screenwriter and film critic whose reviews can be found at Cinema Viewfinder, one of the top 100 film blogs according to Technorati. He recently covered the 47th New York Film Festival. Coverage of the festival and current releases can be found at Cinema Viewfinder. …

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