The supporting cast is also quite good. Both Alicia Keys and Sophie Okonedo turn in fine performances, although it is Okonedo who leaves the biggest impact as she carries the heart of the film on her simple sleeve. Paul Bettany is suitably grimy as the mean father. Then there are Tristan Wilds and Nate Parker who also add further layers to the tale.
The movie is a little odd in the way that tone shifts through three distinct portions. There is the initial drama with the abusive father, followed by the lengthy middle portion where the bad early feelings go away within the peaceful refuge of the Boatwrights' home and honey business, before reality comes crashing back in the conclusion. I was a little thrown by the shifts, but in the end it is a touching film that was more affecting than I was expecting it to be.
Bottom line. This is a movie that lives up to the buzz. It is supported by strong performances and an adequate (and surprisingly emotional) screenplay. This is a movie to get wrapped up in and go along for the ride.
Recommended.
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