Movie Review: The Private Lives of Pippa Lee at the Edinburgh Film Festival 2009

Part of: EIFF 2009

The Private Lives of Pippa Lee is one of those movies that treads a line between quirky comedy and tragic drama. And like a lot of those movies, it suffers from an identity crisis, never quite deciding which side of the fence it wants to fall on. It's sometimes possible to be both at the same time, but that's seldom the case, and unfortunately Pippa Lee isn't one of those rarities. However, a wonderfully diverse cast that really gel, along with some fantastic performances, ultimately saves Pippa Lee from whatever other failings it has.

 

Adapted from the director's (Rebecca Miller) own book, The Private Lives of Pippa Lee (an awkward title if I ever heard one) follows the titled Pippa as she moves into an expensive retirement home with her much older husband. While slowly finding herself on the path to a "quiet nervous breakdown," Pippa reflects on her past which has lead her to where she is now.

Much of the quirkiness contained within Pippa Lee is in the first half of the movie, where it is reminiscent of Tim Burton's Big Fish - not least in the scene of Pippa's birth, which we uncomfortably witness from the baby's perspective — and Mike Leigh's Happy-Go-Lucky. But just when you get settled into this quirky way of going about things, the movie makes a sudden jump to the land of the serious, tackling real-life issues and problems. And just when you get settled into that way of working, it jumps back to trying to be quirky again. It doesn't quite have what it takes to be both types of movie at once, and the attempts to be so, just don't work. The film sits far more comfortably in the serious side of things, with brilliant use of flashbacks (shown on screen in a fresh and unique way) when Pippa is reflecting on her past.

When Pippa Lee works, it's down to the performances by the diverse cast that's been brought together. Robin Wright Penn plays the titled character, an actress not praised as much as she should be, and who is sweet and quietly alluring as Pippa. Alan Arkin plays her much older husband, and he plays the role just right; as a tired old man who wants anything but to be a tired old man. Maria Bello is wonderful as Pippa's mother, going from cheerful mum to a drug addicted mess from one minute to the next within Pippa's flashbacks. Winona Ryder, putting in one of her best performances in ages, is almost always emotional throughout the movie, and it's a type of character she does well. Similar to Ryder, Keanu Reeves is the best he's been for a long time; although he's not a great actor to begin with, this is one of his most authentic performances that proves he's a bit more than what his one-note acting reputation suggests he is. The likes of Julianne Moore and Monica Belluci even make short appearances, simply rounding off an already brilliant cast.

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Article Author: Ross Miller

I am a film critic and blogger, and have been so since late 2007, going from starting my own movie review website, Movie World (which is still running), and then moving on to writing for various movie blogs.

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  • 1 - HW

    Mar 03, 2013 at 1:35 pm

    Amused after reading reviews of those who criticised the film... Because I enjoyed it hugely. It has left me with the idea that perhaps people who have not personally experienced chaotic mental health, cannot hope to appreciate the raw, simple truth in this capricious little story. It is anti-absolutist, vague and wonderful. I feel uplifted for watching it.

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