The year 1939 was a hectic year for radio especially if you were working at WBN. At the time, WBN, a small, fictional station set in Chicago, Illinois was to become the fourth national radio network in the United States. Everyone was ready for the big night. The investors were relaxing in the lounge awaiting a good show. The writers were rewriting their scripts and the actors were poised and ready.
WBN was going to make a huge splash as the number four station in the nation! Well that is, if anyone was alive by the end of the night. There seemed to be a small problem at WBN during the national premiere. The problem was murder. There were numerous problems. Murder really was not the only one.
This farcical comedy has all the elements to make you laugh, shock you, and leave you satisfied if you’re looking at it from a non-traditional view.
Multiple plots weave throughout Radioland Murders that all revolve around the WBN national broadcast. The story begins with a soon-to-be divorced husband (Roger) and wife (Penny), played by Mary Stuart Masterson (of Fried Green Tomatoes fame) and Brian Benben (from Dream On).
It seems that Roger Henderson had a roving eye, which landed him flat on his back. The real problem, though, was that his loving wife Penny caught him with the Va-Va-Voom girl, Claudette Katsenback (Anita Morris). While Penny tried to keep WBN organized as the station manager’s secretary, Roger ignored his writing duties in an attempt to get his wife back.
Soon we are introduced to the director, Walt Whalen Jr. (played by Jeffrey Tambor). Walt Whalen Jr. is only the director because Walt Whalen Sr. (Ned Beatty) is the owner of the WBN network. Junior isn’t a very good director.
If you’re in the film industry you can’t help but laugh at his inept ability to direct or even make simple decisions for himself. Many times Whalen looks on with his trademark blank stare as he adjusts his toupee, whimpering over the need to decide whether to cue music or the announcer. Usually it is up to Penny to chime in with the proper direction.
This is just the tip of the iceberg. One of the band members dies on stage. The scripts are horrible and late arriving after having to be re-written at the last minute and everyone is in an emotional rush. To make matters worse, a strange voice keeps coming over the intercom and no one knows where it is coming from. All they do know is that someone gets popped every time they hear the voice and no one knows who is going to be next.
Article comments
1 - Pat Evans
I watched this some years ago and thought it was embarrassingly bad. You are probably correct about its illustrating the hectic pace on set, but I don't think Mel Smith is really much of a director (I never thought he was much of a comedian either).