Porco Rosso is a unique film in the canon of genius animator Hayao Miyazaki. The historical and geographical context of the movie is specific; there is no fantasy world or alternate universe in which the characters operate. Indeed, most of the story could have occurred in reality and within the context. The only element to the story that stretches our perceptions of reality, ever so slightly, is the titular character.
The story takes place during the 1920s between the two World Wars. The setting is Italy and fascism is rising. Blackshirts are everywhere and the “firm answer” of the fascist regime to the political turmoil in post-war Italy lays the backdrop to the picture. In many respects, Porco Rosso is Miyazaki’s most “adult” picture. It is entrenched with politics and world affairs, generating many of its more obvious plot points from the rejection of fascism.
We meet Porco Rosso, a man with the head of a pig, as he works as a bounty hunter guarding ships in the Adriatic Sea. He frequently combats pirates and defends other ships, yet there is a sense of camaraderie between the pirates and Porco. He is a legend in the area and has earned the respect of mostly everyone he comes into contact with. We are not told specifically how Porco wound up in the condition we find him in, although Miyazaki does include some hints that he became a pig after he left the Italian Air Force.
The film revolves around Porco’s relationship with Gina, a woman who runs Hotel Adriano in the Adriatic Sea, and his rivalry with American pilot Curtis. Curtis is attempting to gain employment with a gang of pirates and decides to directly challenge Porco as a way to boost his profile. When Porco heads to Milan to rebuild his plane, he comes into contact with young Fio and a group of fascists who smell bacon. Luckily, Porco has friends in the Italian Air Force who keep him ahead of the blackshirts and he is able to head back and properly challenge Curtis with a rebuilt plane (courtesy of Fio) and renewed energy.








Article comments
1 - Arlo J. Wiley
Terrific review.
Either this or Castle in the Sky would be my favorite Miyazaki film.