Col. Dax is appointed their council and the trial offers Douglas what would ordinarily be his star moments to shine. But he is clearly out-classed. Who are three soldiers or even a righteous colonel next to a general? And who are any of them next to the powerful and faceless people who waltz around the edges of Paths? Douglas sputters his defense while the mad general sits idly rolling his eyes and checking the time.
Paths struck me as a great first chapter in the richest vein in Kubrick’s oeuvre. During Barry Lyndon and Eyes Wide Shut, the words “all the best people” can be heard, referring to the type of people who can get away with murder. The social elite of Paths are their prototype. Barry Lyndon asks: “What is a common Irish man next to the rich and powerful?” Eyes Wide Shut repeats the class hierarchy of Paths only with hookers in place of soldiers, Doctor Bill in place of Col. Dax, the rich Mr. Ziegler in place of the general, and the masked party-goers in place of faceless, waltzing party guests.
I remember asking, “Why are so many scenes in Paths set in rooms adorned like the 18th century?” (I would later ask the same question about the ending of 2001: A Space Odyssey.) And why does Paths take a time-out to show us rich people waltzing at a party? Then Barry Lyndon showed us the 18th century as a lair for “all the best people” and Eyes Wide Shut opened with all those best people dancing the waltz at a decadent party and my questions were answered.
Paths of Glory plays like Kubrick’s entire oeuvre rolled into one film. Maybe Douglas slipped one in on Kubrick though. Paths has an emotionally powerful ending unlike anything else Kubrick ever touched. You won’t soon forget it.
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