Movie Review: Milk

Milk is brash, opinionated, in your face politically, yet utterly charming — not unlike its subject, Harvey Milk, the first openly gay man to be elected to public office in the United States. The film necessarily has a tragic ending, because Milk’s political career, after a late-blooming beginning and several false starts, was a brief series of meteoric successes that lasted less than a year before he was assassinated. Yet the movie is not a downer – it’s an exhilarating entertainment. After several deliberately abstract and “difficult” movies like Elephant and Gerry and Last Days, fascinating and brilliant but hardly seen outside film festivals, Gus Van Sant here makes a triumphant return to something like the Hollywood mainstream.

When some of us heard that Sean Penn had been cast as Harvey Milk, we were a bit puzzled and skeptical. This often sullen and sometimes scenery-chewing star, with his macho persona, seemed like a less than perfect fit. But we were dead wrong. Not only is Penn utterly brilliant — after seeing him, it’s hard to imagine another actor in the part. The rush he obviously gets from taking on this terrific role is contagious, and he casts quite a charismatic spell.

Van Sant and screenwriter Dustin Lance Black (best known before now as a writer and producer of HBO’s Big Love series, drawing on his own Mormon background) manage to turn Milk into an epic about the modern gay rights movement, and somehow, thankfully, they avoid being grandiose about it. At the beginning there is a montage of men being busted at gay bars in the 1950s and 1960s. The ending recreates in an extraordinarily moving way the huge San Francisco candlelight procession that followed Milk’s murder in 1978. Throughout, real historical footage (and apparently some new footage treated to match the real stuff) is intercut with the vividly written and acted dramatizations that are front and center. The effect is to make the issues and events startlingly clear and potent: this is history happening before our eyes.

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Article Author: Randall A Byrn

Handyguy (aka Randall Byrn) is a marketing professional in New York. A transplanted Southerner, he has been a movie buff since birth. He's always secretly wanted to be Pauline Kael, and Blogcritics gives him an approximation of that, or so he likes to fantasize at least. …

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Article comments

  • 1 - Arlo J. Wiley

    Dec 14, 2008 at 8:02 pm

    An excellent review of an excellent film.

    I just saw Milk this morning, and was bowled over by it. Terrific on pretty much every level.

  • 2 - handyguy

    Dec 14, 2008 at 8:13 pm

    I neglected to mention some of the very fine contributions to the film's success: the cinematography by Harris Savides [who also shot Zodiac and Elephant], the music by Danny Elfman, and the performance by the always deft Emile Hirsch as longtime Milk associate Cleve Jones.

  • 3 - Arlo J. Wiley

    Dec 15, 2008 at 3:20 pm

    I was really surprised to learn that Danny Elfman was behind the score. Most of his scores usually feel descended from his Batman score, but this one was totally different than anything else I'd ever heard by him. Really impressive work.

  • 4 - handyguy

    Dec 15, 2008 at 3:59 pm

    Elfman has worked with Van Sant more often than with any other director besides Tim Burton and Sam Raimi: To Die For, Good Will Hunting, Psycho. He also did A Simple Plan and A Civil Action, so it's not all bombast. I think the score for Sleepy Hollow is very beautiful as well.

  • 5 - Arlo J. Wiley

    Dec 15, 2008 at 4:25 pm

    I honestly didn't know that Elfman had worked with Van Sant so many times.

    And you're right, he did do the score for A Simple Plan, which is one of my favorite films.

  • 6 - Thomas Vlacich

    Jan 03, 2009 at 3:08 pm

    I recently saw Milk. I throughly enjoyed the movie.I was expecting to see the young boy in the wheelchair from Minnesota in the candlelight procession. I thought it would have added a tremendous emotional impact at that point in the movie. great film.

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