Movie Review: Death Bed - The Bed That Eats

It took place one night last week: an ordeal, a trauma, a hurtful jab in the guts of slumber. Mere recollection sears the memory paths for this was the sort of nocturnal nasty destined to be forever remembered. Maybe it was the urchins playing foolish games in the black of midnight, or I ate too much cheese, I can’t say. What I can say, however, is that this was wholly unanticipated; not one inkling had I that such an event was to disrupt my sleep that eve. So there I was, chasing sheep up and down Elysian fields, smirking at the planets, giving sagacious advice to Plato, when suddenly the façade was torn down and replaced with the foulest of sentience. The unlit abyss of my room faced me, the dark offering nothing but a faint rustling in the distance. Quickly the distance shortened, the rustling seemingly now beside me. Then I sensed movement, a jolting presence, not out there but in here, under the very sheets under which I lay. It was then I threw back the bedding, revealing none other than a Care Bear.

There it was stooped on all fours, pink fur ruffled by the sheets, plastic nose poking about the mattress, glass eyes adjusting to the light from the lamp I had just turned on. It looked at me, I looked at it. Was that murder in its eyes? Did I detect the glint of lust? Perhaps it was on its way to the Forest of Feelings and got lost halfway? Should I hug it or bash its brains out with my alarm clock?

It shuffled towards me and I shouted at it.

“You Care Bear bastard!”

It was instinct, reflex, a product of being born in the 80s. I won’t allow risk to enter the equation, I can’t, positions of power must be established immediately. That Care Bear stared its dead eyes at me, unfocused brown still and mysterious. The scene was one of tension, an escalating dread and possible regret that I had somehow offended the beast.

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Article Author: Aaron Fleming

Aaron Fleming is a waster and an idler - prone to pomposity - forever enchanted by the filmic, the sonic, words and the aesthetic - given to the most ludicrous appraisal of Culture's finest icons and compositions. He resides in London.

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  • 1 - Duke De Mondo

    Mar 12, 2009 at 10:20 pm

    Ah beautiful! Death Bed, maniacal care bares and - perhaps most terrifying of all - people wanting money for gas...

    I too hope to see Death Bed Takes Manhattan - the burden is on you, Sir Fleming, to build the hype to such hysterical pitch that no producer in this world or any other would dare think for a moment of givin the green light to a damn thing else.

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