C.R.A.Z.Y. finds humour in its occasionally serious subjects, and joy in its details. One of its most impressive accomplishments is transporting the audience through the 60s, 70s, and into the 80s with visual and audio faithfulness. The hair, the fashions, the cars, the home decor, and above all, the soundtrack (filled with David Bowie, Pink Floyd, The Rolling Stones, Jefferson Airplane, and yes, Patsy Cline, and which cost a good portion of the film's $7 million budget) give a wonderful sense of time and place that allows us to enter this C.R.A.Z.Y. world.
But most of all, these are crazy characters we want to spend time with – which is a good thing, because at over two hours, and a brief digression to a middle eastern desert I could have lived without, the plot could not be described as tight. It's a character study, and the emotional journey of father and son is a trip worth taking.
So why the title C.R.A.Z.Y. as an acronym, instead of Crazy like the Patsy Cline song? It's a nice little “oooooh!” moment revealed just before the final credits that I'd hate to ruin if, like me, you hadn't picked up on the reason during the movie.








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