Movie Review: Breakfast with Scot Is a Little Syrupy, But Satisfying

Breakfast with Scot is a delightful 2007 Canadian movie. The Scot (Noah Bernett) in question is a young boy whose great misfortune is his mother was a drug addict and raised him as if he was a girl.

His mother, whom we never meet, is finally successful in finding eternal bliss, but the social workers tell him she died in an auto accident instead of as a result of a drug overdose. She has left Scot to live with her former boyfriend, Billy — apparently never having gotten around to updating her posthumous wishes. Scot hasn't seen the old boyfriend for several years and he is living in Brazil.

Until his guardian can return to the U.S., Scot is fostered by the old boyfriend's more stable and responsible brother, Sam (Ben Shenkman), a sports lawyer whose life partner is Eric McNally (Tom Cavanagh), a gay retired hockey player (Toronto Maple Leafs) who currently works as a sportscaster. He's not totally out although everyone seems to know he is gay.

In most cases, the movie would deal with the brother in Brazil first loathing and then finally loving his new parenthood or his brother would be forced to bring his wayward brother and change him into a more responsible person. Yet the movie isn't really about the two brothers who are the legal links to guardianships.

The story centers on the unwilling partner being dragged into foster fatherhood. Eric is only semi-out-of-the-closet and Scot's presence forces him to deal with his own half-acceptance of his homosexuality. Hockey is the means although Scot's ice-skating ability first manifests itself with some graceful artistic figure skating moves at the local rink. Ed seems more afraid of his softer, feminine side than Sam and Scot's flamboyance (wearing make-up and feather boas, love of Christmas carols, and hugging and kissing other boys) is a greater problem for him than for Sam who considers it as Scot's attempt to keep part of his mother with him.

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Article Author: Purple Tigress

Former theater critic for the LA Weekly and Los Angeles Times . For the last five years, an editing slave at a dot-com but recently laid off. Currently an under-employed freelance writer and artist.

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