However, much like in the Hughes movies, it’s the outsiders who most capture our hearts. A self-described “marching band nerd” who notes an obsession with video games, Jake Tusing is the type of guy who is perpetually given the “let’s just be friends” speech in school and despite being plagued with a horrific case of acne, the likable, good-natured, if overly-eager Jake makes it his mission as soon as the film opens to find a girlfriend. And he succeeds… at least for a while, but Jake’s troubles pale in comparison to the nearly catastrophic drama that surrounds the film’s center, Hannah Bailey, the liberal, outspoken, atheist who is dumped by her long-term boyfriend in a rather cruel way early on into the film.
With the ultimate goal to get the hell out of Warsaw and go to film school in California, Hannah battles overwhelming heartbreak, depression, and embarrassment, missing several days of school before she’s finally willing to go back and face her peers, for fear of judgment. And although while we realize upon a first intrigued glance that Mitch will no doubt be drawn to Hannah as she’s one of those vital girls totally unaware of how beautiful she is, we predict that it won’t work out.
Yet, much like Ellen Page's Juno, to whom she will immediately draw parallels and indeed to whom Burstein likens the unforgettable Hannah as well, you just know that she, along with the other students, will ultimately find her own way. Additionally, in a great contradiction to teen films that “usually have these vapid one-dimensional girls,” (Filmmaker, pg. 44) as well as boys, we feel privileged and honored that Burstein chose to make a film that accurately represents the high school experience in a way that unites the generations by their similarities and invites new understanding in exposing the technological differences.
Although, ultimately as an adult, it’s at times painful to witness some of the events without longing to intervene and tell these five kids that it’s all going to be okay and high school will soon vanish and their real lives can begin. And besides, whenever they start to feel nostalgic, there’s always John Hughes to carry them through.








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