John Wayne Centenary: The '60s - The Alamo, The Man Who Shot Liberty Valance, McLintock!, The Sons of Katie Elder, El Dorado, The War Wagon, and True Grit - Page 9

Part of: John Wayne Centennial

The film also features a score from the master of the genre, Elmer Bernstein. Famous for his rousing theme from The Magnificent Seven, he does a similar job here but there’s an emotional centre to the music that plays on the viewer's emotions and adds to the Rooster/Mattie relationship.

The western may have been changing thanks to The Wild Bunch and its ilk, but as the ‘60s closed Wayne showed he was far from finished, giving his best performances in years and he still had a couple of classics left in him.

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Article Author: Ian Woolstencroft

Ian Woolstencroft was brought up on a diet of John Wayne movies and Marvel Comics and still has a passion for both. Now as a blogcritic he finally understands what Spider-Man’s Uncle Ben meant when he said ‘With great power comes great responsibility.’ …

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  • 1 - dino martin peters

    Jun 19, 2007 at 9:39 am

    Hey pallie, love your Dinodescription in "Sons of Katie Elder." Truly our Dino "breezes through on star charisma and charm alone." Never was, never will be anyone as cool as the King of Cool. Oh, to return to the days when Dino walked the earth!!

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