Interview: The Booth At The End Creator Christopher Kubasik - Page 4

People reference specifically Alfred Hitchcock Presents or The Twilight Zone, but it had less to do with those specific shows than the early days of television. In fact, I would go even earlier than television. We have to remember that Rod Serling was writing TV, 90-minute teleplays, even before he got involved with The Twilight Zone. And I would say that his experience as a producer and writer on those early shows are what really informed his ability to build an anthology series that worked so well. So I would say that to me early television, rather than specific shows, is what informed my trust that I could pull this off. It took a lot of trust to believe it could work.

Then I would say I stole from theater the messenger speeches from Greek tragedy, where the messenger in one play or another has to go deliver a speech or story to someone he's afraid of; and I think I stole techniques from that. And then oral storytelling as well, I've done volunteer work at preschools, through the Screen Actor's Guild book program, and children's museums where I go in and read fairy tales and things like that. And I trust that people like hearing stories; I just trust that. You can see that in Quentin Tarantino's work as well, where he trusts his actors to deliver not only dialogue but stories. And if you have good actors and good stories then an audience will sit there and listen to them. And I trust that the camera can capture that, without having to get fancy cinematically, and still engage an audience.

Xander Berkely fits so perfectly into this main character of The Man. I'm curious if the role changed at all after he became involved, or if it's just good magic that this character and the way that he delivers it meshes so well.

I'm not saying there's not some magic, because who knew, right? I've been a fan of Xander's for a long time. I love good actors, and he's a very good actor. For some of us… I mean the stars matter, but I just like really good actors, and I remember people like that. The way this all came about was… I did not have Xander in mind, but Jessica Landaw, our director, was at a dinner party where she met Xander. Then about a week later she was thinking of casting, and who is The Man gonna be, and she thought, what we really need is a Xander Berkeley type. And then she thought, wait a minute, I know him, I just friended him on Facebook. So she sends him this message via Facebook and says you know "don't hang up, but I want to talk to you about this web series. It's really interesting and Michael Eisner's company is producing it. Would you please read the script." And he said sure, send it over. What Jessica didn't know, and neither did I, is how interested Xander is in independent filmmaking and small screen projects. He's a painter, has a very artistic sensibility and is willing to very much step outside the box. So he read the script, she sends it to him in the evening and the next morning about 7am, Jessica had an email from Xander already saying "yes, I want to do this." So he jumped on board.

Continued on the next page Page 1Page 2Page 3 — Page 4 — Page 5Page 6Page 7Page 8Page 9
Spread the word
Bookmark and Share
Profile image for david-r-perry

Article Author: David R Perry

Lost somewhere in the rolling hills of Tennessee, David R Perry can occasionally be found doing dark, unspeakable things to words. Printed words, spoken words, electronically mangled words... really any kind but twittered words.

Visit David R Perry's author pageDavid R Perry's Blog

Read comments on this article, and add some feedback of your own
  • No image found

Article comments

  • 1 - k_jock222

    Dec 07, 2011 at 10:56 pm

    YOU must make more of the show it is amazing and i was just getting into it!!!! plzzz continue

  • 2 - Corey Fischer

    Jan 05, 2012 at 8:53 am

    I've only seen the first episode on hulu and I'm hooked. Now, reading this interview, I understand that Christopher K is, indeed, a brilliant writer with a deep understanding of story, myth and dramatic form in film, theatre and the web. Positioning the act of storytelling as the main event of each episode, heightening that event by using the story that each character tells the Man as the currency in a high-stakes, life and death transaction, is a stroke of, dare I say, genius. I am consumed with envy! My background is theatre as an actor/writer and occasional director and though CK is right about the show itself being more akin to Golden Age, live TV that theatre, don't forget that the first model for TV drama was the theatre. The connection, for me, is Story. One of theatre's several origins has to be one person telling a story to a group of people. And, yes, the details! Without them, no story, just plot points. Thank you, Christopher!

  • 3 - chance Windham

    Jan 11, 2012 at 11:51 am

    show sucks

  • 4 - Simon

    Feb 11, 2012 at 10:27 pm

    What an amazing series. For being just two ppl in a room, my wife and I are hooked. We're talking about The Man and who he is, the choices we make in life, and the outcomes to those. Don't listen to the hate. We watched all 5 esp. back to back.

    BTW The Man is a middle man for a group of deamons. They need emotion and experience to live, and his deal was to live forever, only now he sees getting what you want might not always be a good thing.

  • 5 - David

    Dec 04, 2012 at 4:55 pm

    The Booth at the End is the best episodic show I've ever seen.

Add your comment, speak your mind

Personal attacks are NOT allowed.
Please read our comment policy.
Please preview your comment.

blogcritics lists for May 18, 2013

fresh articles Most recent articles site-wide

fresh comments Most recent comments site-wide

most comments Most comments in 24hrs

top writers Most prolific Blogcritics for April

top commenters Most prolific Commenters in 24 hrs