I wonder how In The Bedroom won an Oscar for "best picture"? It's not a bad movie, but it was pretty boring and was way too long. 130 minutes for that story was by far too long. I don't know anymore how long it took them until the guy finally got awfully shot into his eye - maybe 50 movie minutes, but they could have just let him be shot in the beginning and saved up that time and start the story from that point on. There'd probably been more tension that way round. What a waste of time. But I was happy to see Sissy Spacek again for once. She's been that bloody girl in Stephen King's Carrie, and I can't think of anyone better in that role than Sissy Spacek. But I guess that weird Carrie-face will follow her for the rest of her life in her movies. But she's an amazing actress, I think, and played well in this one again.
TRAILERS from IMDb
SYNOPSIS from Rotten Tomatoes
Todd Field's IN THE BEDROOM is an artistic and realistic portrait of domestic trouble in small-town America. Sissy Spacek and Tom Wilkinson star as Ruth and Matt Fowler, the parents of a recent high school graduate, Frank (Nick Stahl), who has an affair with a married woman, Natalie (Marisa Tomei). A tragic event near the beginning of the film seems to stunt its action and dialogue, allowing the film to change into a largely visual piece based on memories, feelings, and silent communication; while the film's slow-moving camera, soft sunny lighting, and cautious pacing give it a resonating intensity.
Set in coastal Maine, the Fowlers are a well-liked family with simple, straightforward values. Dr. Fowler has his own small medical practice. Mrs. Fowler directs the chorus at the high school. Frank is a good kid who is working on the fishing docks for the summer, waiting for college in the fall. Frank falls into a summer romance with Natalie, an older woman with two young sons and a creepy, lurking husband (William Mapother) from whom she is separated. The relationship is worrisome to Mr. and Mrs. Fowler, but they want to be supportive of their son so they gently nudge him to think about the bigger picture, without being overbearing. But when the unthinkable happens, Mr. and Mrs. Fowler come face to face with their worst nightmare. Quietly, calmly, and with the most logic they can muster, they begin a dark and dangerous psychological journey. The result, reinforced by stunning performances from Wilkinson and Spacek, is a pensive, penetrating, and utterly believable story.