In the annals of Japanese cinema, there is one giant who looms the largest, an iconic figure that burst onto the world stage back in 1950s, whose influence on the medium can be still witnessed to this day. Of course, I’m talking about Godzilla. (Who were you expecting? Akira Kurasawa?)
One of the men responsible for bringing Godzilla to life was Eiji Tsuburaya, the head of Toho Tokyo Studios' special effects department. Rather than use stop-motion techniques, which had been the norm for creating giant movie monsters, he decided to put a man in a rubber suit, which came to be known as suitmation, and the rest is film history.
Tsuburaya left Toho and began his own special effects lab and production company. Under his own banner, his most notable creation was the superhero television program Ultraman. Though there were only 39 episodes that aired from July 1966 to April 1967, it became the first live-action Japanese television series exported around the world and continued to generate sequel series into the 1990s.
Every episode had the same basic plot structure. A monster from space or the bowels of Earth appears and causes havoc. The Science Patrol, a team of first responders whose function is to protect mankind, investigates. Their high-tech gadgetry is powerless to stop the monster. However, one member of the team has a secret.
While investigating a UFO, Science Patrolman Hayata’s ship is crashed into by a sphere, whose occupant is Ultraman, a being from Nebula M78 beyond the 40th Galaxy. He was taking the radioactive monster Bemler to M90 for disposal, when it escaped and headed for Earth. Hayata is killed in the crash, but Ultraman repays him for the terrible thing he has done by giving Hayata his life. Hayata receives the Beta capsule and when he’s in trouble, he uses it to unleash Ultraman, a powerful fighter who has an array of special powers.
Ultraman has one weakness. He can only fight for about three minutes before his energy supply gets exhausted, illustrated through a blinking, colored light on his chest, so he has to take care of the monsters quickly. As luck would have it, he usually doesn’t appear until the end of the show.
Ultraman also has one weakness. It crumbles under any critical thinking. The Science Patrol claim to maintain a 24-hour alert, but the small group of five people are the only people on staff. What good are they if they fail every time out and need Ultraman? Why doesn’t Hayata just turn into Ultraman at the first sign of a monster? Hayata and Ultraman form an unclear, pan-dimensional relationship. Hayata doesn’t become Ultraman. He changes places with him, but where is that other place? The fact that no one on the Science Patrol can figure out the Hayata-Ultraman connection guarantees them jobs working for Metropolis’ Daily Planet, if needed. And then there are all the head-scratching moments within each episode.








Article comments
1 - Matt Paprocki
So there's no option for the original Japanese dialogue all the way through w/ subs?
2 - El Bicho
No, there's just no mention of it by me. Ha Ha. I completely left that option out. Thanks for inquiring, Matt, because I'm sure you are not alone in wondering.
3 - Miyamoto Musashi
Just a word for those who may not believe Ultraman resonates with 21st century kids... my 2- and 3-year olds saw Ultraman for the first time through this DVD collection, and they are addicted. My wife and I don't let them watch TV very often, but when they do, their choice is either Thomas the Tank Engine or Ultraman. That's pretty elite company for them. Also, I'm a high school teacher, and when I related to some of my students that my boys were watching the show, I was forced to bring in a DVD to show them a clip of what I was talking about. To my surprise, they absolutely loved it. The boys loved the hokey special effects and dialogue, the girls kept trying to figure out if Fuji had a secret love for Hayata. (And by the way, we watched this after school... no comments about the failing education system) So I think Ultraman holds its own over time. Or at least I know the producers of the series have sold several more copies because of me.
4 - Axel
You the Best!!
5 - El Bicho
Axel, you are a wise man.