DVD Review: The Time of the Wolf

A lot of apocalypse movies focus on "survivors," people who size up the situation and find that there's benefit to be found in the destruction of society. Watching these industrious folk take advantage of the freshly wiped societal slate to build their version of a utopia (Dawn of the Dead) or maybe survive through brute force and manipulation (Mad Max 2 & Beyond Thunderdome) is always pleasurable. It allows one to project themselves into the scenario and conjure up a wistful world where survival seems, for some reason, simpler than a world where you have to go through endless loops to achieve the means to convince the guy at the store that he benefits by giving you a bag of marshmallows (this is usually done with currency, a form of communication that allows us to buy CDs without dragging a prize cow into the store).

The Time of the Wolf is an apocalypse film of a different flavor, though it contains many of the same trappings of other films of the (sub?)genre. It reminded me of Testament at times (a movie I saw at the height of a delirious fascination with nuclear weapons and one that I could subtitle for myself: how I learned to start worrying about the bomb) with its bleak and unrelenting outlook on how humans behave as society crumbles. And yet, though the movie contains familiar plot devices like the characters not knowing exactly what is going on, the struggle for resources, or the paradox that the safety found in numbers can be, at times, a perilous one, the movie jettisons the familiar concept surrounding "survivors" in the face of danger and instead features a group of social animals known to some as "humans."

It's well written, insightful, and naturalistic throughout, so much so, that any degree of familiarity I might have felt for the material was replaced with anxiety. The movie's an anxiety-laden endeavor, never ebbing enough to make one feel comfortable (and any time you might think that it's about to, it ratchets up the intensity). This is the case from the beginning to the end. It opens with a nuclear family arriving at a home in the country, starting to unpack the car only to be held at gunpoint by another desperate family and ends with the little boy from this family about to jump into a raging fire. It's not, exactly, a pleasant experience, but then, in retrospect, because it's so spot-on in its observations, this is one of the few apocalypse movies I've seen that actually gives me hope for my own survival.

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