The end credits claim the film was shot in ... Sri Lanka.
Okay, so I guess that's what Sri Lanka looks like. Yet, I wonder... The natives, their village, the tour boat — they look as though the filmmakers grabbed whatever props and extras were available on the cheap. Anything that evoked "third world jungle." A grabbag mishmash, with little regard for consistency or authenticity. I don't know, does "Kruna" even sound Sri Lankan?
About that inane ending (skip the next paragraph to avoid a "spoiler") ...
The natives have slaughtered half the tourists, and nearly killed Bach. Bach and Cassinelli have returned to the resort, huddling amid the surviving tourists. The armed natives emerge from the jungle. Bach, Cassinelli, the tourists all gasp! Will the natives finish them off? But then the natives see the dead alligator (killed by Cassinelli, via a method lifted straight out of Jaws, to be lifted again in Evil Below). Some natives prod the dead alligator, then one announces that Kruna is dead! All natives cheer! Bach grins warmly. Cassinelli, the tourists, the brat, everyone, grins warmly. The natives grin warmly. Kruna is dead, so there will be no more slaughter. Everyone is friends again. All previous slaughter is forgotten and forgiven. Happy music swells. End credits roll.
HUH?!
A final note. The Big Alligator River features some truly awful day-for-night shots, although that's hard to avoid if you want to shoot a large expanse of river. Even so, it's a dark "nighttime" in some scenes, and practically daylight soon thereafter.
Still, The Big Alligator River is immensely enjoyable despite its inanities and budgetary shortcomings. Richard Johnson, in a cameo as a mad Christian missionary, hams it up with some campy dialogue. Bach's wet clothes cling diaphanously to her firm body. And you got a big alligator (at times resembling a flotation device) chomping down boatloads of screaming tourists and natives.
What more can you ask?








Article comments
1 - Joanie
I keep waiting for your review of To The Devil A Daughter.
2 - Thomas M. Sipos
It's been a while since I saw To the Devil, a Daughter. I remember being disappointed with it.