But, make no mistake, the major theme of Red River is the classic Oedipal one, where the figurative son must supplant the father, and until the very end, this is the core of the film, and what pushes it well above most westerns. It is a complex film that rises above its genre, but not far enough to reach that ineffable area reserved for the greatest of artworks, even if it can legitimately make a claim to being a great western. Whether or not it would have succeeded in reaching that lofty status without the feminine element is debatable, but that the female element drags it down from unadulterated greatness is not. Now there’s a classic trope: blame it on the broads! Yeehah!
"A sinister cabal of superior writers."
Article comments
1 - Jill Henry
"...Wayne has always been credited with creating his first real villain, Ethan Edwards, a racist killer..."
Remember, when the politically correct use the term racist, they simply mean white Gentiles who discriminate.
"I hate racists" translates to "I hate honkys!"
So, to translate the first quote: "his first real villain, Ethan Edwards, a honky killer"
2 - Dan Schneider
Back on planet Earth: as I'm not PC, is it fair to say it's that time of the month, Jill?