DVD Review: I'm Not There

Written by El Puerquito Magnifico

Perhaps I’m not the best person to write a review of a movie based on Bob Dylan’s life. While I’m definitely a fan of his music, and hold his songwriting ability in high regard, I’m not one of those folks who own all of the albums, all the bootlegs and has seen Bob in concert a million times. I like most of what I’ve heard from the man, and have been touched by more than a few of his tunes, but I’ll admit to missing the deeper meaning in a lot of his stuff as well. I dig the guy, and respect his talent and his legacy, but I’m not a member of the “Church of Bob” by any means.

On the other hand, maybe I’m the perfect choice? I won’t be watching the film through the eyes of an obsessed Dylan fan, but simply watching a film as a lover of cinema. My review won’t be written through the haze of rose-colored glasses or biased in any way due to idol worship. It’ll just be a review of a movie based on a guy I know a little about, but have heard a whole lot about. But enough about me and my lack of Dylan knowledge; let’s get to the review.

If you’re looking for a deeper insight into Bob Dylan the man, or a by-the-book biography, you’re not going to find it in Todd Haynes’ I’m Not There. Rather than tell a straightforward tale that starts at Point A and takes the logical route to Point B, C, and so on, Haynes tells a very non-linear tale, jumping around through different eras, shooting in different film stocks and casting six different actors in the lead role. In fact, none of the characters in the film are even called Bob Dylan. I’m Not There is a movie that is every bit as mysterious as Dylan’s lyrics and as enigmatic as the man himself.

We’re not really getting the story of Bob Dylan’s life here; we’re getting a bunch of animated snapshots of his career and public persona. It’s a very surreal experience, full of metaphor and symbolism. It’s a lot like a Dylan song brought to life, and like many Dylan songs, I won’t pretend that I understood the deeper meaning behind all of it. Like Dylan’s singing voice, the film’s voice can be a bit on the abrasive side at times, but like most of Dylan’s music, I can’t help but see the talent behind the whole thing, and on occasion, be quite moved by it.

Article Author: Cinema Sentries

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