Harlan Ellison is a loudmouthed, righteous man. This few who know of him will argue. But he's also a fiery, wonderful writer, one of the best authors of essays and science fiction I've ever read.
Ellison has written dozens of fantastic stories, novellas and screenplays, such as the famous original Star Trek episode "The City On The Edge of Forever." He leaves his unmistakable mark all over evocatively titled tales like I Have No Mouth And I Must Scream and The Beast That Shouted Love At The Heart of the World, and his epic, impassioned nonfiction could give a lot of writers lessons on how to persuade and antagonize with mere words on a page. At age 75, he hasn't mellowed one bit.
One of my favorite Ellison quotes is "We are not entitled to our opinions; we are entitled to our informed opinions." That kind of sums up his eternally boat-rocking view of the world. He doesn't care about the feathers he ruffles, having been described as "possibly the most contentious person on Earth."
Now finally out on DVD, the labor-of-love documentary Harlan Ellison: Dreams With Sharp Teeth is a movie that attempts to explain Ellison to the world. Filmmaker Erik Nelson assembled it from years of footage dating back to 1981, and spent a great deal of time interviewing Ellison – which is mostly a case of just standing back and letting the man talk. It's Ellison warts and all, without apology or canonization. We see his friends (including famous names like Robin Williams and writer Neil Gaiman) and his legendary house, a gloriously overstuffed fanboy's paradise of 70+ years of toys, books and memorabilia.
Dreams rises above just being one man's monologue by showing some of the pain that shaped Ellison, a short, scrawny, wise-mouthed kid who got beat up "every single day," whose father died gruesomely in front of him when Ellison was just a teenager. Ellison is one of those people who believe too hard, and who when wronged react with a fire that scorches the very earth. At one point, in mid-rant, Ellison kind of breaks off, and admits he doesn't want to just be the angry guy, the ranter, but he simply can't bear being taken advantage of, being mocked or made a fool. It's a telling, honest moment, one that helps humanize him as more than just a shouting voice.
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