The tagline for the documentary Darkon is, "Everybody Wants To Be a Hero," which succinctly sums up the main message of this film about a group of people involved in the full contact, live-action role playing (LARP) wargame of the same name. As one of the players puts it, "If you could watch Brad Pitt or be Brad Pitt, which would you rather do?" For these Baltimore area gamers, the answer is easy — they would rather pretend to be the heroes they wish they were.
I have watched LARP-ers from the sidelines, and occasionally joined in on a few games (different game system — no bashing with padded swords for me), and from a theatrical perspective, I can understand the appeal. It is theatrical improvisation with a specific set of rules combined with imagination and force of will. As the documentary shows, there are some who have a healthy perspective on the gameplay and are able to separate non-gameplay from what happens on the field, but there are also others who blur those lines in a way that allows the gameplay to consume their lives to their detriment.
Just like how kids make up their own realities, fantasy role playing games for adults allow them to explore aspects of themselves in a way that "normal life" does not permit. However, as with kids' games, even the fantasy world has its in- and out- crowds. In the realm of Darkon as shown in this documentary, the in crowd is the Greater Mordomian Co-Prosperity Sphere, aka Mordom, and the out crowd is anyone they fight, since more often than not, their opponents will lose and be absorbed into their ever-expanding domination of Darkon.
The central story of the gameplay shown in the documentary is a challenge to Mordom's expansion by an alliance of other countries led by Laconia. In essence, it becomes a battle of wills between Keldar (Mordom's leader) and Bannor (Laconia's leader), with a bit of treachery and dramatic staging thrown in. Outside the gaming world, we see Kenyon Wells (Keldar) presenting himself in much the same way his character is portrayed — thinking himself lawful good, but often acting as lawful evil. On the other hand, Skip Lipman (Bannor) is presented as a stay-at-home father who has little ambition in the real world and is instead focusing his desires on the outcomes of the gameplay. The filmmakers have set this up so that the audience is rooting for Lipman, while at the same time pitying him.
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