The first third of Bobby establishes all these characters and their stories, and it's a bit haphazard at first, more a game of "spot the star" than anything else. But as the film progresses, their stories intertwine in remarkably subtle ways that reflect the timbre of the times. Kennedy himself is more metaphor than character through most of the movie, with archival footage of him punctuating the film's main point of how a single moment can alter the shape of a society.
When it works — which it mostly does, once the establishing sequences are out of the way -- Bobby is a compelling statement. Estevez doesn't dwell on conspiracy theories or political machinations. By taking the sociopolitical climate of 1968 and viewing it through the eyes of people unaware they were microcosms of the upheaval taking place all around them, he makes the assassination of Robert Kennedy deeply personal and moving. When he was killed, the dreams of many Americans for a more tolerant society were all but shattered. Yet, the senselessness of it, coming so soon after the assassination of Martin Luther King, united us in some ways, if even for a short time.
As a film, Bobby sometimes overreaches its ambitions. But as a snapshot of American life and how we viewed ourselves on the day that RFK was shot, it's a powerful achievement. The DVD release has special features that enhance its significance, including a "making of" documentary and eyewitness accounts by people who were there the night it happened. It's not a masterpiece, but it is a movie that stands repeating viewings.


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Article comments
1 - Rodney Welch
Very nice, even-handed review, Ray. Good work. So rare to read a thoughtful assessment that avoids the two usual categories: unstoppable bile or hook-line-and-sinker approval.
2 - Lisa McKay
Congratulations! This article has been selected for syndication to Boston.com, where it will be enjoyed by even more readers.