DVD Review: Blue Man Group Shows You How To Be A Megastar

The Blue Man Group return to their rock concert experience in their latest DVD, captured during their "How To Be A Megastar 2.0" tour. If you already own The Complex, Blue Man Group's previous DVD release from 2004, much of this material will be familiar as it's nearly the same concert from that tour. That's not necessarily a bad thing.

Like The Complex, How To Be A Megastar opens with "Above," which you know is simply an amazing song if you've seen or heard it from their previous work. The concert presentation is exciting, with a screen obscuring the stage and only shadows of the Blue Men projected on the screen as, one by one, each takes to their PVC instruments to begin the melody, with a swirl of images of the band and the Blue Men as the song launches into guitar, drums, keyboards, bass, and percussion in an explosive crescendo. Awesome.

The remainder of How To Be A Megastar essentially follows the same progression as The Complex with some new material and new rock concert movements. The premise of the tour is the Blue Men have purchased an "updated" rock concert experience manual from an infomercial and are incorporating the new material into the show. The band is amazing, as it was before in The Complex. I miss the guest vocals of Venus Hum's Annette Strean and musician Tracy Bonham. Annette was gorgeous and belted out an exciting cover of "I Feel Love" in her unique style. She and Bonham are replaced on the current tour with a new vocalist, Adrian Hartley. She's fine, but it's hard to follow in the footsteps of Strean and Bonham. Peter Moore, the male vocalist from The Complex, returns for How To Be A Megastar.

How To Be A Megastar is presented in 1.78:1 anamorphic widescreen.  Audio options include Dolby Digital 5.1 and 2.0.  Colors are rich and vibrant for the most part (this is a concert, after all) and the contrast between the blue paint on the faces of the Blue Men and their black clothing is sharp.  The transfer does suffer from some compression artifacts (most noticeable in long shots of the stage that include the audience) and some slight edge enhancement.  

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Scott C. Smith is a freelance writer from Hillsboro, Oregon, returning from a two-year-long break to resume writing for Blogcritics. He is best known for his rabble-rousing web site, What's In Scott's Head, and his political columns at Counterbias.

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