The viewer, having now seen all of the corruption and sleaze, has little doubt that Jack Fate is in jail for reasons that are totally unfair and corrupt, and because he is, as Goodman says of Fate when booking him for the “benefit concert” – “the real leader of The Revolution, ” with open arms to the homeless, drunks, the underworld and the American underworld. In other words, Give me your poor… & etc. We know Jack Fate is a good guy. He may not be our Hope – maybe he cannot be our hope, maybe he sees too much, too much that isn’t good to be hope; but he can be our Fate. He knows where we are headed and makes no bones about it.
John Goodman figures they have booked The Legend Jack Fate, though it’s an interesting way to put it, since Dylan himself has so often denied or shirked off the role of Prophet or Legend and the like, preferring instead to say publicly or defer and say he keeps a low profile. That said, there can be no denying that no matter what he may have said or say, Dylan has courted the myth of who he is as much as he has denied and hated it at times (and I believe he has genuinely hated it).
Giovanni Ribisi is a Jack’s train-mate and fellow traveler as he makes his way from jail to the show where he’ll perform. Ribisi, looking the part he does so well (what does he look like in real life, I wonder), which is strung out looking, clammy, those beautiful hazel eyes bulging out of his head in that googly way he does. He fills Jack in – what the world is like. “Violence is the only thing they know…” Ribisi tells him nervously. “It’s the only tool in their box…” But are these rebels? The government? Are rebels and the government one and the same, like a sort of corrupt republic, which we can safely assume this is.
What we find out, and this is most interesting of all, is that El Presidente, the leader of this whole mess of homelessness and junkies and hookers and corruption and a government that senselessly shoots people (as Ribisi will be for confronting the masked rebels using his “tool” which we don’t see, so I’m assuming he means or meant his brain or some such thing or logic. Anyway, something abstract and intangible. Needless to say, this is no match for the automatic weapons of the hooded men outside the bus at the checkpoint. Ribisi is gunned down, plastered with bullet holes.








Article comments
1 - LaShane
Brilliant write up on Masked and Anonymous.
2 - Eric Olsen
super job Sadi, you are in tune with the Dylan soul - thanks!
3 - sadi
i really enjoyed doing this piece as i do any dylan piece, really ~ so just pointmeand i'm game. This one was so unexpected for me and any Dylan fan should see it. Yes, it's silly but certainly a bit of a key to the Dylan soul and well worth it.
thanks for reading, Eric ~ too long, as per usual, but that's just how long it took.
thx. again.
s.
4 - Kathy Thompson
Love this critique! Wec would love to use it at Mickey Rourke OnLine on the "Mickey On Film" section, but would like to credit you properly. Well Done!!!
5 - unknowncomic
This is great! Yeah, really wish someone could help him find a soft spot to get some rest. Am looking forward to your review of Chronicles.
6 - sadi
i will review Chronicles and thanks for the kind words on this review . . . and yes, you can use at MIckey Rouke ONlne but please do credit me properly...
sadi ranson-polizzotti
www.tantmieux.squarespace.com
(use contact link to contact me, or leave an email here).
7 - Pam from the 60's
Well, how 'bout that? Found this one while searching. As usual...good stuff, Sadie. From my point of view; you have Dylan pegged. Really enjoyed this. Thanks,
Pam
8 - sadi ranson-polizzotti
thanks, Pam ~ i hadn't looked at this piece in a while. I just watched Renaldo & Clara and am planning a review of that... it's a tough one to review, but i'll do my worst/best, right? -- have to try at least.
best to you as ever,
s.