Soderbergh and supervising sound editor/rerecording mixer Larry Blake supervised and approved the DTS-HD Master Audio 5.1. However, don't let the designation fool you. The dialogue and effects were originally recorded in mono and are delivered through the center speaker. Though limited in space, the audio still offers a worthwhile listen, which is clean and augmented by the subwoofer punctuating the bottom end for effects such as gunfire. Composer Cliff Martinez' score is heard in the surrounds.
Traffic (The Criterion Collection)
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