Written by Senora Bicho
Released in November 2001, Monsters, Inc. was the fourth feature-length feature film by Pixar Animation Studios. While it was a commercial and critical success, I didn’t think it was as entertaining for adults when compared to the previous films. I haven’t seen it since the theatrical release and was curious to see if I might enjoy it more this time around with the Blu-ray release.
The inhabitants of the city Monstropolis rely on the screams of children as its source of power. Monsters, Inc. provides the city’s energy through its scream-processing factory. James P. “Sully” Sullivan (John Goodman) and Mike Wazowski (Billy Crystal) are the top scare team at the factory. Randall Boggs (Steve Buscemi) is Sully’s rival determined to take over the top position. In order to obtain the screams, the monsters enter into teleportation doors that lead into a child’s bedroom. One night after business hours, Sully stumbles upon a door that hasn’t been properly stored away. While investigating the door, he inadvertently brings a child into the monster world. Children are considered toxic to monsters so as soon as the breach is discovered the city goes on high alert. Sully and Mike soon discover that the child is not toxic after all and realize it is up to them to protect her while attempting to get her home.
Both the video and audio presentations are amazing. Presented in 1080p and an aspect ratio of 1.85:1, the film is awash in brilliant, vibrant colors from the trees’ autumn colors to the entire spectrum of rainbow represented by the cast of characters. It’s very impressive the creative team went to the trouble of adding patches of purple on his bluish-turquoise hair, which is flawlessly rendered, as are all the textures in the film. From common walls to the monsters’ various skin types, they are all clear and realistic.
The jazz score under the opening credits immediately prepares the viewer for how good the DTS-HD Master Audio 5.1 experience will be. Each instrument (clarinet, trumpet, piano, drums) is distinct and the bass thumps out the subwoofer. The directionality well positions the characters and items as they move about the scene. The dialogue is understandable no matter how wild the action gets, and the climatic door-storage chase sequence gets very wild.
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