Blu-ray Review: An American Werewolf in London - Full Moon Edition

After a string of comedic box-office successes (Kentucky Fried Movie, National Lampoon’s Animal House, and The Blues Brothers), director John Landis had the clout to pick his next project. He veered away from comedy to a screenplay he first worked on in 1969 while a production assistant in Yugoslavia on Kelly’s Heroes. An American Werewolf in London was Landis’ take on the Wolfman.

David (David Naughton) and Jack (Griffin Dunne) are backpacking their way through Europe. The film opens with them traversing through the moors of Northern England, but all Jack can think of is hooking up with a woman in Italy. A creature, not clearly distinguished on screen, kills Jack and injures David, who is taken back to London to be cared for and awakens from his injuries three weeks later.

David is visited by Jack’s disfigured ghost, who informs him a werewolf attacked them and that David will become one at the next full moon. To stop the cycle, Jack tells David he must kill himself to protect others. This will also release Jack’s spirit from limbo. David isn’t sure if he is really seeing Jack or dreaming, though. Upon David’s release, Alex, a nurse at the hospital, in a combination of pity and attraction, takes him to stay at her place—where they have sex.

The next evening, Alex goes to work at the hospital and David changes into a werewolf, rampaging the city. He awakes naked in a wolf pen at a zoo and, after hearing about a series of grisly murders, realizes Jack was right. With a full moon set to rise again, David is unsure of what to do.

An American Werewolf in London is an enjoyable horror film. It’s not too scary because it mixes in the right amount of humor without turning it into a comedy. What makes the film work is the believability of the situations and the tension created by Landis’ pacing. While the wolf attacking someone is startling, the real thrills come from the wolf stalking.

Not content to use previous Hollywood magic of lap dissolves where hair was added to a man sitting still in a chair, Landis felt the transformation of a man into a wolf would be extremely physical and likely excruciating. He hired makeup/special effects artist Rick Baker, who with his team delivered groundbreaking work that not only remains impressive nearly three decades later, but helped bring about the annual honor by the Academy of Motion Picture Arts and Sciences for recognition of work in this field.

The Blu-ray video is presented at 1080p High Definition Widescreen with an aspect ratio of 1.85:1. Right from the opening shot, a good amount of grain is seen and it's pervasive throughout the film, especially during low-lit, exterior shots. The color is muted with the most vibrancy coming from the green vegetation and the red of blood, call boxes, and buses. There are imperfections in the video from the source, such as a scratch that runs through the frame during a brief bit in a bar scene. This is likely as good as the film is going to look without restoration work done.

Article Author: El Bicho

El Bicho writes for a number of movie web sites, including Cinema Sentries, which he runs for the geniuses of Forwerd Media. He also occasionally cleans up around here. Follow at twitter.com/ElBicho_CS

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